| 000 | 03002nam a2200421 i 4500 | ||
|---|---|---|---|
| 001 | BDZ0021992655 | ||
| 003 | StDuBDS | ||
| 005 | 20240316144322.0 | ||
| 008 | 140626s2014 ncua f 001|0|eng d | ||
| 010 | _a2014010402 | ||
| 020 |
_a9780786470778 (pbk.) : _cNo price |
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| 040 |
_aStDuBDS _beng _erda _cStDuBDS _dStDuBDSZ |
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| 050 | 0 |
_aPN1995.9.H6 _bH455 2014 |
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| 072 | 7 |
_aPER _2ukslc |
|
| 072 | 7 |
_aAP _2bicssc |
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| 072 | 7 |
_aAPF _2bicssc |
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| 072 | 7 |
_aATF _2thema |
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| 072 | 7 |
_aATF _2thema |
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| 072 | 7 |
_aDS _2thema |
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| 082 | 0 | 4 |
_a791.436164 _223 |
| 100 | 1 |
_aHeller-Nicholas, Alexandra, _d1974- _eauthor. |
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| 245 | 1 | 0 |
_aFound footage horror films : _bfear and the appearance of reality / _cAlexandra Heller-Nicholas. |
| 264 | 1 |
_aJefferson, North Carolina : _bMcFarland & Company, _c[2014] _c2014 |
|
| 300 |
_avii, 236 pages : _billustrations (black and white) ; _c23 cm |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 366 |
_b20140430 _cAvailable |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 |
_aAs the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets, allowing both major studios and independent productions to participate in the popular phenomenon. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. _bAs the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets, allowing both major studios and independent productions to participate in the popular phenomenon. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies.Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance. This book also explores a number of other movies including [Rec] (2007), Home Movie (2007), Exhibit A (2007), Cloverfield (2008), The Tunnel (2010), The Last Exorcism (2010), The Devil Inside (2012), V/H/S (2012) and the popular web series Marble Hornets. |
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| 650 | 0 |
_aHorror films _xHistory and criticism. |
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| 650 | 0 |
_aSafety education. _916095 |
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| 650 | 7 |
_aPerforming Arts. _2ukslc _915771 |
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| 650 | 7 |
_aFilms, cinema _2thema |
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| 650 | 7 |
_aFilms, cinema _2thema |
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| 650 | 7 |
_aLiterature: history & criticism _2thema |
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| 999 |
_c39569 _d39569 |
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