| 000 | 03764nam a22005538i 4500 | ||
|---|---|---|---|
| 001 | BDZ0050854796 | ||
| 003 | StDuBDS | ||
| 005 | 20230928165321.0 | ||
| 008 | 221125s2023 enka b 001|0|eng|d | ||
| 020 |
_a9780711270312 (hbk.) : _cNo price |
||
| 020 |
_z9780711270329 (ebook) : _cNo price |
||
| 040 |
_aStDuBDS _beng _erda _cStDuBDS _dStDuBDSZ |
||
| 050 | 4 |
_aPN1995.9.C546 _bB7 2023 |
|
| 072 | 7 |
_aPER _2ukslc |
|
| 072 | 7 |
_aAP _2bicssc |
|
| 072 | 7 |
_aAPFA _2bicssc |
|
| 072 | 7 |
_aAPFN _2bicssc |
|
| 072 | 7 |
_aJFCA _2bicssc |
|
| 072 | 7 |
_aATF _2thema |
|
| 072 | 7 |
_aATFA _2thema |
|
| 072 | 7 |
_aATFN _2thema |
|
| 072 | 7 |
_aJBCC1 _2thema |
|
| 072 | 7 |
_aAFKV _2thema |
|
| 072 | 7 |
_aAGA _2thema |
|
| 072 | 7 |
_aATFX _2thema |
|
| 082 | 0 | 4 |
_a791.4301 _223 |
| 100 | 1 |
_aBramesco, Charles, _eauthor. |
|
| 245 | 1 | 0 |
_aColours of film : _bthe story of cinema in 50 palettes / _cCharles Bramesco. |
| 263 | _a202302 | ||
| 264 | 1 |
_aLondon : _bFrances Lincoln, _c2023. |
|
| 300 |
_a208 pages : _billustrations ; _c23 cm |
||
| 336 |
_atext _2rdacontent |
||
| 336 |
_astill image _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 366 |
_b20230209 _cAvailable |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 |
_aAn introduction to film through the lens of colour. Taking you from the 1900s to today, it showcases the most extraordinary use of colour and provides visually appealing palettes of some of the best movies ever made. _b`What's so wonderful about Bramesco's book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.' - Brian Tallerico, Editor of RogerEbert.comTaking you from the earliest feature films to today, Colours of Film introduces 50 iconic movies and explains the pivotal role that colour played in their success. The use of colour is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device.Wes Anderson's pastels and muted tones are aesthetically pleasing, but his careful use of colour also acts as a shorthand for interpreting emotion. And let's not forget Schindler's List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death. In Colours of Film, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways. Using infographic colour palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and colour lovers alike. He also explores in fascinating detail how the development of technologies have shaped the course of modern cinema, from how the feud between Kodak and Fujifilm shaped the colour palettes of the 20th Century's greatest filmakers, to how the advent of computer technologyis creating a digital wonderland for modern directors in which anything is possible.?Filled with sparkling insights and fascinating accounts from the history of cinema,Colours of Film is an indispensable guide to one of the most important visual elements in the medium of film. |
|
| 650 | 0 |
_aColors in motion pictures. _921254 |
|
| 650 | 0 |
_aMotion pictures _xHistory. |
|
| 650 | 7 |
_aPerforming Arts. _2ukslc _915771 |
|
| 650 | 7 |
_aFilms, cinema _2thema |
|
| 650 | 7 |
_aFilm history, theory & criticism _2thema |
|
| 650 | 7 |
_aFilm: styles & genres _2thema |
|
| 650 | 7 |
_aPopular culture _2thema |
|
| 650 | 7 |
_aElectronic, holographic & video art _2thema |
|
| 650 | 7 |
_aHistory of art _2thema |
|
| 650 | 7 |
_aFilm production: technical & background skills _2thema |
|
| 999 |
_c39489 _d39489 |
||