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003 StDuBDS
005 20230330161155.0
008 220513s2016 msu g 000|0|eng d
020 _a9781496804587 :
_c24.50
040 _aStDuBDS
_beng
_erda
_cStDuBDS
072 7 _aAPB
_2bicssc
072 7 _aBGF
_2bicssc
072 7 _aAPFB
_2bicssc
072 7 _aPER
_2ukslc
072 7 _aATC
_2thema
072 7 _aDNBF
_2thema
072 7 _aATFB
_2thema
072 7 _aATFX
_2thema
245 0 0 _aKathryn Bigelow :
_bInterviews /
_cedited by Peter Keough.
264 1 _aJackson :
_bUniversity Press of Mississippi,
_c2016.
300 _a282 pages :
_bFilmography ;
_c23 cm
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
366 _b20160119
_cAvailable
520 8 _aInterviews with the Oscar-winning director of "The Hurt Locker" and many other films
_bWith her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming the first woman to win an Oscar for Best Director. Since then she has also filmed history with her latest movie, Zero Dark Thirty, which is about the mission to kill Osama Bin Laden.She is one of Hollywood's brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the 1970s. Her first feature The Loveless reflected those academic origins, but such subsequent films such as the vampire-Western Near Dark, the female vigilante movie Blue Steel, and the surfer-crime thriller Point Break demonstrated her determination to apply her aesthetic sensibilities to popular, genre filmmaking.The first volume of Bigelow's interviews ever published, Peter Keough's collection covers her early success with Near Dark; the frustrations and disappointments she endured with films such as Strange Days and K-19: The Widowmaker; and her triumph with The Hurt Locker. In conversations ranging from the casual to the analytical, Bigelow explains how her evolving ambitions and aesthetics sprang from her earliest aspirations to be a painter and conceptual artist in New York in the 1970s and then expanded to embrace Hollywood filmmaking when she was exposed to such renowned directors as John Ford, Howard Hawks, Don Siegel, Sam Peckinpah, and George Roy Hill.
650 7 _aPerforming Arts
_2ukslc
_915771
650 7 _aIndividual actors & performers
_2thema
650 7 _aBiography: arts & entertainment
_2thema
650 7 _aIndividual film directors, film-makers
_2thema
650 7 _aFilm production: technical & background skills
_2thema
700 1 _aKeough, Peter,
_eeditor.
942 _2ddc
999 _c39412
_d39412