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_a9781800715387 (pbk.) : _c14.99 |
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_a770 _223 |
| 100 | 1 |
_aHogan, Susan, _d1961- _eauthor. |
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| 245 | 1 | 0 |
_aPhotography / _cSusan Hogan. |
| 263 | _a202201 | ||
| 264 | 1 |
_aUnited Kingdom : _bEmerald Publishing, _c2022. |
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| 300 |
_a228 pages ; _c22 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 366 |
_b20220128 _cAvailable |
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| 490 | 1 | _aArts for health | |
| 505 | 0 | _aChapter 1. Introduction -- Chapter 2. A Brief Summary of the History & Development of Photography -- Chapter 3. How Are Photographs Distinctive? -- Chapter 4. Photographic Practice for Health & Wellbeing -- Chapter 5. Photography in Research (Summary of Photographic Research Methods;Photo-documentation, Photo-elicitation; Semiotic Analysis; Content Analysis) -- Chapter 6. An Introduction to Re-enactment Phototherapy -- Chapter 7. Therapeutic Photography -- Chapter 8. Suggestions for Further Reading | |
| 520 | 8 |
_aPhotography is ubiquitous. The visual image is the predominant form of communication. This book explores the myriad ways in which photographs can be used: to document events, places or things; to consolidate personal identity; to pose a challenge to an idea or regime; to animate the inanimate. _bPhotography is ubiquitous. The visual image is the predominant form of communication. Arguably it is a very democratic medium, since billions of people all over the planet take photographs on their phones, and digital storage means that expensive printing is not necessary and therefore the practice is not prohibitive. Photography is important to political and social movements and connects people in emotionally meaningful relationships. This book explores the myriad ways in which photographs can be used: to document events, places or things; to consolidate personal identity; to pose a challenge to an idea or regime; to animate the inanimate (in other words, to breathe life into objects); to capture the fleeting and transitory; to create stories; to reveal what may be taken for granted, including seeing social practices; to enhance our perception and allow us to notice previously unnoticed details; to consolidate relationships; to represent the overlooked or marginalised; to commemorate; to authenticate; to tantalise. All these modes of photography have different possibilities, different intentions and different effects. |
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| 650 | 0 |
_aPhotography. _915797 |
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| 650 | 0 | _aVisual communication. | |
| 650 | 7 |
_aPhotography. _2ukslc _915797 |
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| 650 | 7 |
_aPhotography & photographs _2thema |
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| 650 | 7 |
_aPublic health & preventive medicine _2thema |
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| 650 | 7 |
_aHealth, relationships & personal development _2thema |
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| 650 | 7 |
_aMental health services _2thema |
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| 650 | 7 |
_aComplementary medicine _2thema |
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| 650 | 7 |
_aCoping with illness & specific conditions _2thema |
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| 650 | 7 |
_aIndividual photographers _2thema |
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| 830 | 0 | _aArts for health. | |
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_c39228 _d39228 |
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