000			03619cam a22006131i 4500
001			BDZ0026191416
003			StDuBDS
005			20210810155127.0
008			151208s2016 enk 000|0|eng|d
020			_a9781138654167 (pbk.) : _c28.00
040			_aStDuBDS _beng _cStDuBDS _dUk _dStDuBDSZ _erda
050		4	_aPN1995.9.W3
072		7	_aAPFN _2bicssc
072		7	_aJFD _2bicssc
072		7	_a1D _2bicssc
072		7	_aJPVL _2bicssc
072		7	_aPER _2ukslc
072		7	_aATFN _2thema
072		7	_aJBCT _2thema
072		7	_a1D _2thema
072		7	_aJPWC _2thema
072		7	_aAB _2thema
072		7	_aAFKV _2thema
072		7	_aATF _2thema
072		7	_aNHD _2thema
072		7	_a1DDR _2thema
072		7	_a1DXG _2thema
082	0	4	_a791.436581 _223
100	1		_aKosmidou, Eleftheria Rania, _d1971- _eauthor.
245	1	0	_aEuropean civil war films : _bmemory, conflict, and nostalgia / _cEleftheria Rania Kosmidou.
260			_aLondon : _bRoutledge, _c2016.
300			_a1 volume
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
366			_b20160129 _cAvailable
500			_aFormerly CIP. _5Uk
505	0		_a1.Introduction 2.Collective and Cultural Memory and their Limitations: Postmemory and Cinematic Modes of Representations 3.The Spanish Civil War: Cinematic Postmemories of the `Last Great Cause' 4.Cinematic Representations of the Irish Civil War: Michael Collins and The Wind That Shakes the Barley 5. Cinematic Representations of the Former Yugoslavian Civil War: Underground and No Man's Land 6.Representation of the Greek Civil War in Theo Angelopoulos's The Travelling Players: The Uses of Intertextuality 7.Conclusion
520	8		_aThis title examines the way in which late 20th-century European cinema deals with the neglected subject of civil war. Exploring a range of films, it engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. _bThis book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojevic, and Angelopoulos.
650		0	_aCivil war in motion pictures.
650		0	_aCollective memory _zEurope.
650		0	_aHistorical films _xHistory and criticism. _zEurope
650		7	_aPerforming Arts _2ukslc
650		7	_aFilm: styles & genres _2thema
650		7	_aMedia studies _2thema
650		7	_aEurope _2thema
650		7	_aPolitical campaigning & advertising _2thema
650		7	_aThe arts: general issues _2thema
650		7	_aElectronic, holographic & video art _2thema
650		7	_aFilms, cinema _2thema
650		7	_aEuropean history _2thema
650		7	_aIreland _2thema
650		7	_aGreece _2thema
999			_c38395 _d38395