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008 200819s2012 enk ob 001 0 eng d
020 _z9781780930237
020 _a9781780930190 (e-book)
035 _a(MiAaPQ)EBC6177268
035 _a(Au-PeEL)EBL6177268
035 _a(OCoLC)900152833
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aPN1994.5
_b.W675 2012
082 0 _a791.43
_223
245 0 0 _aWorking in the global film and television industries :
_bcreativity, systems, space, patronage /
_cedited by Andrew Dawson and Sean P. Holmes.
264 1 _aLondon ;
_aNew York, New York :
_bBloomsbury Academic,
_c2012.
300 _a1 online resource (220 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _a1. New perspectives on working in the global film and television industries -- pt. 1. Systems of production. 2. Labouring in Hollywood's motion picture industry and the legacy of 'flexible specialization' ; 3. Soviet film-making under the 'producership' of the party state (1955-85) ; 4. Making films in Scandinavia : work and production infrastructure in the contemporary regional sector -- pt. 2. Manoeuvrable spaces. 5. No room for manoeuvre : star images and the regulation of actors' labour in silent-era Hollywood ; 6. Working as a freelancer in UK television ; 7. Behind the scenes : the working conditions of technical workers in the Nigerian film industry -- pt. 3. Patronage and clientelism. 8. Fathers, patrons and clients in Kinshasa's media world : social and economic dynamics in the production of television drama ; 9. Les chefs-opératrices : women behind the camera in France -- pt. 4. Creative agency. 10. Cornel Lucas : stills photography and production culture in 1950s British film ; 11. Making faces : competition and change in the production of Bollywood film star looks.
520 _aLike many other cultural commodities, films and TV shows tend to work in such a way as to obscure the conditions under which they are produced, a process that has been reinforced by dominant trends in the practice of Film and Television Studies. This collection places the workplace experiences of industry workers at centre stage. It looks at film and television production in a variety of social, economic, political, and cultural contexts. The book provides detailed analyses of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key the.
588 _aDescription based on print version record.
590 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650 0 _aMotion picture industry.
650 0 _aMotion pictures.
650 0 _aBroadcasting.
655 4 _aElectronic books.
700 1 _aDawson, Andrew,
_eeditor.
_92749
700 1 _aHolmes, Sean P.,
_eeditor.
_95233
776 0 8 _iPrint version:
_tWorking in the global film and television industries : creativity, systems, space, patronage.
_dLondon ; New York, New York : Bloomsbury Academic, 2012
_h220 pages
_z9781780930237
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/rave/detail.action?docID=6177268
_zClick to View
942 _n0
999 _c32781
_d32781