000			01930nam a22003378i 4500
001			43727
005			20210222114825.0
008			181211s2019 enka f 000|0|eng|d
020			_a9781501345869 (hbk.) : _c£88.00
020			_z9781501345883 (ePub ebook) : _cNo price
020			_z9781501345876 (PDF ebook) : _cNo price
040			_aStDuBDS _beng _cStDuBDS _dStDuBDSZ _erda
050		4	_aPN1992.75
072		7	_aPER _2ukslc
082	0	4	_a791.45 CON
100	1		_aConnelly, Thomas J., _d1971- _eauthor.
245	1	0	_aCapturing digital media : _bdrive and desire in contemporary film and television / _cThomas J. Connelly.
260			_aLondon : _bBloomsbury Academic, _c2019.
300			_a200 pages : _billustrations (black and white) ; _c22 cm
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
520	8		_aWhy are filmmakers such as J.J. Abrams, Christopher Nolan and Quentin Tarantino continuing to shoot their movies on celluloid in the digital age of cinema? Are these filmmakers choosing the photochemical process of celluloid images purely for aesthetics purposes? Or could their preference for celluloid have something to do with analogue's intimate connection to the subject of lack and desire? 'Capturing Digital Media' examines the relationship between the perfection of the digital form and the imperfection of the human subject in recent film and television. Using a number of a key psychoanalytic terms and new media concepts, 'Capturing Digital Media' shows that the necessity of imperfection is where we locate the human subject of desire within the binary logic of the digital.
650		0	_aTelevision _xProduction and direction.
650		0	_aMotion pictures _xProduction and direction.
650		0	_aDigital cinematography.
650		0	_aPerfection.
650		7	_aPerforming Arts. _2ukslc
942			_n0
999			_c31134 _d31134