000			02010nam a2200325 i 4500
001			43595
005			20210222114751.0
008			170214s2017 nyu f b 001|0|eng|d
020			_a9781441148094 (pbk.) : _c£23.99
020			_z9781441111333 (ePub ebook) : _cNo price
020			_z9781441173584 (PDF ebook) : _cNo price
040			_aStDuBDS _beng _cStDuBDS _dStDuBDSZ _erda
050		4	_aPN1992.3.U5
072		7	_aMED _2ukslc
082	0	4	_a791.45 ROB
100	1		_aRobinson, MJ _q(Mary Jean), _d1967- _eauthor.
245	1	0	_aTelevision on demand : _bcuratorial culture and the transformation of TV / _cM.J. Robinson.
260			_aNew York : _bBloomsbury Academic, _c2017.
300			_axi, 246 pages ; _c23 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
520	8		_aSince 2010 'curation' has become a marketing buzzword. Wrenched from its traditional home in the world of high art, everything from food to bed linens to dog toys now finds itself subject to this formerly rarified activity. Most of the time the term curation is being inaccurately used to refer to the democratisation of choice - an inevitable development and side effect of the economics of long tail distribution. However, as any true curator will tell you, curation is so much more than choosing - it relies upon human intelligence, agency, evaluation and carefully considered criteria - an accurate, if utopian definition of the much-abused and overused term. This book examines what happens when curation becomes the primary way in which media users or viewers engage with mass media such as journalism, music, cinema, and, most specifically, television.
650		0	_aTelevision broadcasting _zUnited States.
650		0	_aTelevision broadcasting _xTechnological innovations _zUnited States.
650		0	_aTelevision viewers _zUnited States _xAttitudes.
650		7	_aMedia Studies. _2ukslc
942			_n0
999			_c31006 _d31006