| 000 | 00959nam a22002418 4500 | ||
|---|---|---|---|
| 001 | 42934 | ||
| 008 | 060317r20062005en fW 0001 eng e | ||
| 040 | 0 | 0 | _aBDS |
| 050 | 0 | 0 | _aPN1995.9.S265 |
| 082 | 0 | 0 | _a791.4 FRA |
| 100 | 1 | 0 |
_aFrayling, Christopher _920483 |
| 245 | 1 | 0 |
_aMad, bad and dangerous? _bthe scientist and the cinema _eChristopher Frayling |
| 260 | 0 | 0 |
_aLondon _bReaktion _c07 05 |
| 299 | 0 | 0 | _aPP |
| 300 | 0 | 0 |
_a240 p. _bill. _iports. _c24 cm _epbk |
| 358 | 0 | 0 |
_b20050715 _cNP |
| 365 | 0 | 0 | _a12.95 |
| 503 | 0 | 0 | _aOriginally published: 2005 |
| 504 | 0 | 0 | _aIncludes bibliographical references and index |
| 513 | 0 | 0 | _aIn 'Mad, Bad and Dangerous?' Christopher Frayling traces the cinematic genealogy of the scientist from Fritz Lang's 'Metropolis' to more contemporary films such as 'Alien', showing how the figure of the scientist has been used to represent the prevailing phobias of the time. |
| 650 | 0 | 0 | _aScientists in motion pictures |
| 942 | _n0 | ||
| 999 |
_c30345 _d30345 |
||