| 000 | 00938nam a2200181 a 4500 | ||
|---|---|---|---|
| 001 | 12575 | ||
| 005 | 20210222152213.0 | ||
| 008 | 090401t xxu||||| |||| 00| 0 eng d | ||
| 035 | _a(Sirsi) 67293 | ||
| 100 | 1 |
_aLim, Han-Kyu _96730 |
|
| 245 | 1 | 4 | _aThe analysis of the roles, aesthetics, and digital influences of film titles |
| 260 | 0 | 0 |
_aChislehurst : _bRavensbourne, _c2003 |
| 500 | _aThis paper insists on film titles being accepted as one of the most important parts of the film. Its goes on further to define the purpose and role of film titles. The aesthetics of film titles are analysis through a number of different approaches to making film titles ( the author examines the first wave of film titles (Saul Bass) and the new wave of titles (Kyle Cooper) in the 90s). | ||
| 500 | _aMA dissertatiion: Interactive Digital Media | ||
| 655 | 7 | _aDissertation | |
| 710 | 2 | 0 | _aRavensbourne College of Design and Communication |
| 942 | _n0 | ||
| 999 |
_c2623 _d2623 |
||