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So you want to be a TV presenter? / by Kathryn Wolfe.

By: Wolfe, KathrynPublisher: London : Nick Hern, 2010Description: 192 p. ; 22 cm001: 43568ISBN: 9781848420625 (pbk.) :Subject(s): Television personalities -- Vocational guidance | Television announcing -- Vocational guidance | Performing ArtsDDC classification: 791.45 WOL LOC classification: PN1992.8.A6Summary: This work takes the reader step-by-step through over 50 topics including how to read from a prompt and use in-ear talkback, how to talk to camera and talking to time, children's TV presenting, shopping channel presenting, and much more.
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Book MAIN LIBRARY Book PRINT 791.45 WOL (Browse shelf(Opens below)) 1 Available 113110

Enhanced descriptions from Syndetics:

A practical, vocational guide to starting a career on television as a presenter. With a background in television, directing, working with professional presenters, and training new ones for the television industry, Kathryn Wolfe takes you through the techniques and skills required to become a successful presenter.

This work takes the reader step-by-step through over 50 topics including how to read from a prompt and use in-ear talkback, how to talk to camera and talking to time, children's TV presenting, shopping channel presenting, and much more.

Table of contents provided by Syndetics

  • Foreword (p. ix)
  • Introduction (p. 1)
  • Before you start (p. 4)
  • Part 1 Why?
  • Why now? (p. 7)
  • Why me? (p. 10)
  • Why presenting? (p. 12)
  • Part 2 What?
  • What makes a good TV presenter? (p. 15)
  • What are the differences between presenting and acting? (p. 21)
  • What are the similarities between presenting and acting? (p. 23)
  • What is 'being you'? (p. 25)
  • What if you get nervous? (p. 28)
  • What is good posture? (p. 31)
  • What can you do to relax? (p. 34)
  • What is correct breathing? (p. 39)
  • What eyeline should you have? (p. 43)
  • What is good diction? (p. 46)
  • What kind of energy do you need? (p. 53)
  • What should you wear? (p. 54)
  • What if you are grey, wrinkly, mature or overweight? (p. 57)
  • Part 3 How?
  • How to talk to camera (p. 59)
  • How to talk to time (p. 64)
  • How to memorise scripts (p. 70)
  • How to write scripts (p. 74)
  • How to present in studios and on location (p. 78)
  • How to present live and recorded programmes (p. 86)
  • How to walk and talk (p. 88)
  • How to read from a prompt without looking like you are reading (p. 90)
  • How to work with in-ear talkback (p. 94)
  • How to interview (p. 99)
  • How to do vox pops (p. 103)
  • How to be a children's TV presenter (p. 109)
  • How to do 'makes' and 'demos' (p. 114)
  • How to be a weather presenter (p. 116)
  • How to present for different screens (p. 119)
  • How to cope with on-air disasters (p. 121)
  • Part 4 Getting a Job
  • Where to train (p. 125)
  • Create a presenting CV (p. 130)
  • Create a showreel (p. 144)
  • Where to find presenting jobs (p. 149)
  • What happens in presenting auditions (p. 160)
  • What happens in presenting interviews (p. 165)
  • Getting an agent (p. 168)
  • What a producer is looking for (p. 171)
  • How to be a one-take wonder (p. 179)
  • Part 5 Top Tips and Troubleshooting (p. 183)
  • Epilogue
  • The professionals speak... (p. 187)
  • Appendices
  • Resources (p. 191)
  • Short, timed scripts (p. 194)
  • Checklists (p. 196)
  • Acknowledgements (p. 198)

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