Don McCullin / with contributions by Simon Baker, Shoair Mavlian and Aïcha Mehrez ; edited by Aïcha Mehrez.
Publisher: London : Tate, 2019Description: 240 pages : illustrations (black and white, and colour) ; 29 cmContent type: text | still image Media type: unmediated Carrier type: volume001: 43756ISBN: 9781849766197 (pbk.) :Contained works: McCullin, Don, 1935- Works. SelectionsSubject(s): McCullin, Don, 1935- -- Exhibitions | Photography, Artistic -- Exhibitions | Photojournalism -- Exhibitions | PhotographyDDC classification: 779 MCC LOC classification: TR647Summary: Accompanying a major retrospective at Tate Britain of photographer Don McCullin, this publication highlights all areas of McCullin's practice, including his career as a conflict photographer and social documentary practice.| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
| Book | MAIN LIBRARY Book | 779 MCC (Browse shelf(Opens below)) | 1 | Available | 111843 |
Enhanced descriptions from Syndetics:
Don McCullin (b. 1935) is an internationally acclaimed British photojournalist, best known for his war photography and images of urban strife. A Londoner, McCullin began documenting his local community. In 1958, his photograph The Guvnors , a portrait of a notorious Finsbury Park gang involved in the murder of a police officer, was published in the Observer , launching his career as a photojournalist. McCullin went on to become a well-known war correspondent, recognized for his iconic images taken on assignment in Vietnam, Cyprus, Lebanon, and Biafra. He has continued to document poverty in Britain and more recently has turned to landscape photography. This book celebrates McCullin's work over the decades, including color photographs taken on assignment for the Sunday Times magazine that have rarely been seen.
Published on the occasion of the exhibition of the same name held at Tate Britain, London, 5th February-6th May 2019.
Includes bibliographical references.
Accompanying a major retrospective at Tate Britain of photographer Don McCullin, this publication highlights all areas of McCullin's practice, including his career as a conflict photographer and social documentary practice.
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