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Queer Representation, Visibility, and Race in American Film and Television : Screening the Closet.

By: Kohnen, MelanieSeries: Routledge Research in Cultural and Media Studies: Publisher: London : Taylor & Francis Group, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (197 pages)Content type: text Media type: computer Carrier type: online resource001: 44014ISBN: 9780203152706Subject(s): Sexual minorities in motion picturesGenre/Form: Electronic books.Additional physical formats: Print version:: Queer Representation, Visibility, and Race in American Film and Television : Screening the ClosetDDC classification: 306.766097309045 LOC classification: P96.S58 -- K64 2016ebOnline resources: Click to View
Contents:
Cover -- Half Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 All That Visibility Allows, or Mapping the Discourse of Queer Visibility -- 2 Visions of History: Queerness and Race in Hollywood Cinema from the Production Code to X-Men -- 3 Toward the "Gay 90s": Redefining Queer Visibility through the Lens of AIDS -- 4 Outside Space and Time: Screening Queerness in Brokeback Mountain and Boys Don't Cry -- 5 Kevin and Scotty Get Married (and Hardly Anyone Is Watching): Queer Visibility, Privacy, and the Boundaries of Everyday Life on Television -- Concluding Remarks -- Index.
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
eBooks MAIN LIBRARY Electronic Books ONLINE E-BOOK (Browse shelf(Opens below)) 1 Available 44014-1001

Enhanced descriptions from Syndetics:

This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.

Cover -- Half Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 All That Visibility Allows, or Mapping the Discourse of Queer Visibility -- 2 Visions of History: Queerness and Race in Hollywood Cinema from the Production Code to X-Men -- 3 Toward the "Gay 90s": Redefining Queer Visibility through the Lens of AIDS -- 4 Outside Space and Time: Screening Queerness in Brokeback Mountain and Boys Don't Cry -- 5 Kevin and Scotty Get Married (and Hardly Anyone Is Watching): Queer Visibility, Privacy, and the Boundaries of Everyday Life on Television -- Concluding Remarks -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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