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Moments that made the movies / David Thomson.

By: Thomson, DavidPublisher: London : Thames and Hudson, 2013Description: 319 p. : ill. ; 26 cm001: 26333ISBN: 9780500291559Subject(s): Motion picturesDDC classification: 791.43
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Item type Current library Collection Call number Copy number Status Date due Barcode
Book MAIN LIBRARY Book PRINT 791.43 THO (Browse shelf(Opens below)) 1 Available 099569

Enhanced descriptions from Syndetics:

In the first fully illustrated work of his illustrious career, David Thomson takes readers on an unprecedented visual journey re-examining a series of moments from 72 films across 100 years.

Thomson's moments range from a set of Eadward Muybridge's pioneering photographs to sequences in films from the classic - Citizen Kane, Sunset Boulevard and The Red Shoes - to the unexpected - The Piano Teacher , Burn After Reading - immersing the reader via images and the author's narrative.

In Moments that Made the Movies , with its combination of text and image, David Thomson can focus in on one scene, or even a few seconds of celluloid. As he writes, 'there are surprises, offbeat choices, perhaps even capricious or provocative selections, as well as plenty of films that you might have guessed would be included - though not always with the moments you anticipated.' His choices range from the silent era to the last decade, from Katherine Hepburn and Orson Welles to Brad Pitt and the Coen brothers, including:

Pandora's Box * 'M' * Bringing Up Baby * Gone With the Wind * The Shop Around the Corner * Casablanca * Tokyo Story * The Night of the Hunter * The Searchers * Psycho * The Exterminating Angel * Pierrot le Fou * Blow-Up * Bonnie and Clyde * The Godfather * The Shining * When Harry Met Sally * A History of Violence * The Piano Teacher * Zodiac ... plus dozens more

This new edition contains added entries on 24t , The Way Back , Stories We Tell and All is Lost .

Reviews provided by Syndetics

Library Journal Review

Film critic Thomson (The New Republic; The Biographical Dictionary of Film; Showman: The Life of David O. Selznick) has taken more than 70 films and captured the exact scene (with text and illustrations) that he felt made the movie. The examples are listed in chronological order, from 1887 to a still photo taken in 2011. They encompass such classics as Gone with the Wind, Casablanca, Sunset Boulevard, A Star Is Born, Psycho, The Godfather, Chinatown, Taxi Driver, The Right Stuff, and When Harry Met Sally. There are also interesting choices such as M, Tokyo Story, Blow-Up, The Conformist, The Shining, Heat, and Zodiac. It is fascinating to read why such moments as the airplane scene in North by Northwest, the initiation of Michael Corleone into the family business in The Godfather, the noir mood of the pool scene in Sunset Boulevard, the cafe scene in Bonnie and Clyde, and the Robert De Niro/Al Pacino meet up in Heat-and many others-are important in the history of film. VERDICT Highly recommended for readers who enjoy motion picture history, cinematography, and movie plots and themes.-Sally Bryant, Pepperdine Univ. Lib., Malibu, CA (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

When we think about the movies we love or even the ones we hate, specific moments come to mind. Whether we recall a scene or an image or certain dialogue, these moments define the film in our recollection. Prolific film-critic Thomson's (The Big Screen: The Story of the Movies) new art-sized book examines these "sensational" moments from more than 70 films in this film-lover's treasure. Organized chronologically Thomson begins in the year 1887 Eadweard Muybridge's Animal Location and spans all the way to 2008 with the Coen brothers' Burn After Reading. The selection largely encompasses American classics-Preston Sturges's The Lady Eve, Billy Wilder's Sunset Blvd-and a smattering of foreign films directed by the likes of Kenji Mizoguchi, Jean-Luc Godard, and Michelangelo Antonioni. He'll occasionally include less known films such as Danny De Vito's Hoffa or Jane Campion's No False Glamour. The "knock-out" set-pieces often lean towards the violent or erotically charged, but all include multiple images, sometimes full-page spreads. Thomson warns in his introduction that readers shouldn't interpret the chosen moments as "the ¿best' moments" or his "personal favorites," though recent history definitely gets downplayed: 1959, for example, gets three entries, while there are none from 1996 to 2000. The book's effect is undeniable, as the reader feels determined to hit the nearest theater. Agent: Steve Wasserman, Kneerim & Williams. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

Our memories of movies tend to be dreamlike impressions. Often they involve the look, the pace, the movement, the texture, the context, a scene, or an image of a film. Film critic Thomson (The New Biographical Dictionary of Film, 2003) presents us with his selection of idiosyncratic moments, chronologically arranged, that are guaranteed to pique our interest and prompt us to revisit films or add others to our movie queue. Thomson, sensitive to film's innate eroticism, begins in 1887 with Eadweard Muybridge's One Woman Standing, Another Sitting and Crossing Legs, less film than experiment, featuring the titular women in the nude, before moving on to more contemporary films, such as Sunrise, Pandora's Box, and the famous lovemaking scene in Don't Look Now. Moments with Jack Nicholson are featured five times, with four films by Hitchcock, three by Antonioni, and two starring Meg Ryan (really). Thomson is authoritative, yet personal, and includes anecdotes, little-known facts, juicy gossip, and a number of surprise selections (see Ryan, above), especially from the past 20 years. Accompanied by wonderfully evocative stills, this eminently browsable book is certain to delight film lovers.--Segedin, Ben Copyright 2010 Booklist

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