TY  - BOOK
AU  - Kosmidou,Eleftheria Rania
TI  - European civil war films: memory, conflict, and nostalgia 
SN  - 9781138654167 (pbk.) :
AV  - PN1995.9.W3 
U1  - 791.436581 23
PY  - 2016///
CY  - London
PB  - Routledge
KW  - Civil war in motion pictures
KW  - Collective memory
KW  - Europe
KW  - Historical films
KW  - History and criticism
KW  - Performing Arts
KW  - ukslc
KW  - Film: styles & genres
KW  - thema
KW  - Media studies
KW  - Political campaigning & advertising
KW  - The arts: general issues
KW  - Electronic, holographic & video art
KW  - Films, cinema
KW  - European history
KW  - Ireland
KW  - Greece
N1  - Formerly CIP; 1.Introduction 2.Collective and Cultural Memory and their Limitations: Postmemory and Cinematic Modes of Representations 3.The Spanish Civil War: Cinematic Postmemories of the `Last Great Cause' 4.Cinematic Representations of the Irish Civil War: Michael Collins and The Wind That Shakes the Barley 5. Cinematic Representations of the Former Yugoslavian Civil War: Underground and No Man's Land 6.Representation of the Greek Civil War in Theo Angelopoulos's The Travelling Players: The Uses of Intertextuality 7.Conclusion
N2  - This title examines the way in which late 20th-century European cinema deals with the neglected subject of civil war. Exploring a range of films, it engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic; This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojevic, and Angelopoulos
ER  -