Enhanced descriptions from Syndetics:

The modern world's greatest structures capture the imagination and inspire wonder, whether they are places of worship, palaces of power or pleasure, skyscrapers, bridges, tunnels, canals, dams or colossal statues. In this volume, an international team of architectures, engineers and architectural historians chart the progress of human ingenuity and creativity in erecting buildings, from AD500 to the 21st century.

Reviews provided by Syndetics

Library Journal Review

This companion volume to The Seventy Wonders of the Ancient World and The Seventy Great Mysteries of the Ancient World examines well-known structures worldwide. Although the book is subtitled "1500 Years of Extraordinary Feats of Engineering and Construction," most of the featured "wonders" date from the second half of the 20th century. The selections are divided into seven categories: churches, palaces, public buildings, towers and skyscrapers, bridges and railways, canals and dams, and statues. Each entry includes basic information on history, structural and engineering details, innovations, aesthetics, and a sidebar "factfile." Written by 28 architects, engineers, and historians, primarily from the United States, Britain, and Australia, the book is intended for general readers. The photos and diagrams that complement the text are uniformly excellent. A more sophisticated, broader, but more expensive choice in the "building wonders" category is Donald Langmead and Christine Garnaut's Encyclopedia of Architectural and Engineering Feats. Suitable for school, public, and basic academic collections.-Russell T. Clement, Northwestern Univ. Lib., Evanston, IL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Review

Adult/High School-A beautifully executed, well-organized work. Accompanied by good (mostly color) photos with explanatory captions, the text relates lots of facts: when a structure was built and why; its construction history; politics, if any; and basic statistics such as dimensions, etc. The information is condensed into two to four pages of interesting writing and illustrations per project. Sites are arranged by category: churches, mosques, temples, and shrines; palaces and castles (ranging from the Forbidden City to Hearst's Castle); public and state buildings; towers and skyscrapers; bridges, railways, and tunnels; canals and dams; and colossal statues. The piece on the World Trade Center includes informed speculation on the reason for its collapse. Useful for history, civilization, architecture, engineering, and physics classes as well as for general readers.-Judy McAloon, Potomac Library, Prince William County, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Parkyn, an architect and journalist, defines wonders as "artifacts which are larger than the human scale, which are the products of the brain and hands of men and women, and which also somehow exemplify a notable landmark in the evolution of a particular genre." The genres he has in mind determine the sections of this efficiently designed, photo-rich, mind-expanding volume: houses of worship; palaces; public buildings; skyscrapers; bridges, railroads, and tunnels; canals and dams; and colossal statues. With more than two dozen international contributors on the case, this "wow" survey celebrates technical and aesthetic marvels on every continent, each a triumph over obstacles natural and human. As each "wonder" is carefully documented within the context of its place and time, a surprising amount of scientific, engineering, artistic, and political history is illuminated, including the rise of the techno-dependent modern metropolis. So what qualifies as a wonder? Istanbul's sixth-century church Hagia Sophia; the Potala Palace in Lhasa, Tibet; Frank Gehry's Guggenheim Museum in Bilbao, Spain; the Petronas Towers in Kuala Lumpur, Malaysia; the Channel Tunnel; and Mount Rushmore. --Donna Seaman