Kyle Cooper / Andrea Codrington.
Publisher: London : Laurence King Publishing, 2003Description: 112 p. col. ill. 24 cm001: 15753ISBN: 9781856693295Subject(s): Credit titles | Film credits | Film | Motion pictures | TelevisionDDC classification: 791.43092Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | MAIN LIBRARY Book | 791.43092 COD (Browse shelf(Opens below)) | 1 | Available | 096141 |
Browsing MAIN LIBRARY shelves, Shelving location: Book, Collection: PRINT Close shelf browser (Hides shelf browser)
791.4309 THO Film history : an introduction / | 791.4309 WIL New digital cinema : reinventing the moving image / | 791.43092 ALL Woody Allen on Woody Allen : in conversation with Stig Björkman/ | 791.43092 COD Kyle Cooper / | 791.43092 CUR Directory of British film & video artists | 791.43092 EVA The kid stays in the picture / | 791.43092 ROO Paul Thomas Anderson: from hard eight to punch-drunk love/ |
Enhanced descriptions from Syndetics:
This is a monograph on the work of American designer Kyle Cooper, one of the most significant creators of film titles since Saul Bass. His extraordinary title sequence for David Fincher's horror-thriller Seven (1995) is credited by many with bringing about a renaissance in innovative title design. Cooper is one of the founders of the Los Angeles-based company Imaginary Forces and has produced a succession of titles for such films as True Lies, The Island of Dr Moreau, Twister, Mimic, Donnie Brasco, Reindeer Games, Spider-Man and Arlington Road.
There are no comments on this title.
Log in to your account to post a comment.