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Witness in our time : working lives of documentary photographers / Ken Light ; introduction by Kerry Tremain.

By: Light, KenPublisher: Washington : Smithsonian Books, c2010Edition: 2nd edDescription: xiii, 282 p. ill.; 23 cm001: 14219ISBN: 1588342980; 9781588342980Subject(s): Photographers -- Interviews | Documentary photography | PhotojournalismDDC classification: 770.1 LIG LOC classification: TR139 | .L54 2010
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Book MAIN LIBRARY Book PRINT 770.1 LIG (Browse shelf(Opens below)) 1 Available 089082

Enhanced descriptions from Syndetics:

Witness in Our Time traces the recent history of social documentary photography in the words of twenty-nine of the genre's best photographers, editors, and curators, showing how the profession remains vital, innovative, and committed to social change. The second edition includes a new section of interviews on documentary photography in the field and an exploration of the role of photojournalism in 21st-century media. Witness in Our Time provides an insider's view of a profession that continues to confront questions of art and truth while extending the definitions of both.

Includes bibliographical references and index.

Reviews provided by Syndetics

CHOICE Review

Light (Univ. of California, Berkeley) uses the phrase "a witness to their time" to describe the social documentary photographers highlighted in this outstanding narrative of the lives and works of photographers, editors, and curators. This collection of interviews with many of the most important social documentary photographers of the late 20th century is an impressive work that records the joys and perils of photographers who attempt to document the world around them. Many of the photographers interviewed are not well-known names, but their images resonate with times and places that instantly will be recognizable to most readers. Only a single image accompanies each narrative, but a quick search of the Internet will bring many more images to light and reinforce the importance of this remarkable collection. This second edition (1st ed., 2000) would be excellent for a course on social documentary photography and a great read for anyone interested in the inner workings of the "mind's eye" of a documentary photographer. Light is in his own right an exceptional social documentary photographer, who has made an outstanding effort in compiling this wonderful collection. Summing Up: Highly recommended. Upper-level undergraduates and above; general readers. J. M. King emeritus, University of Georgia

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