Sound for moving pictures : the four sound areas / Neil Hillman.
Series: Sound design: Publisher: New York : Focal Press, 2021Description: 274 pages : illustrations (black and white)Content type: text | still image Media type: unmediated Carrier type: volume001: BDZ0046779367ISBN: 9780367517786 (pbk.) :Subject(s): Motion picture music -- Instruction and study | Film soundtracks -- Production and direction | Sound -- Recording and reproducing | Music
| Music | The arts: general issues | Music: styles & genres | Films, cinema | Audio processing | Theory of music & musicology | Musical scores, lyrics & libretti | Music recording & reproduction | Wave mechanics (vibration & acoustics) | Acoustic & sound engineering | Music of film & stageDDC classification: 781.542 LOC classification: MT64.M65| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
| Book | MAIN LIBRARY Book | 781.542 HIL (Browse shelf(Opens below)) | 1 | Available | 114196 |
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Enhanced descriptions from Syndetics:
- Presenting a cutting-edge framework which will be of interest to both aspiring and practicing professionals in sound design for all manner of media
- Author has impressive professional credentials, with more than 700 IMDb credits.
- An excellent addition to our growing 'Sound Design' series
1 IntroductionPART 1 Constructing the soundtrack 2 Emotion in sound design 3 Validating a new approach PART 2 Deconstructing the soundtrack 4 The Four Sound Areas 5 Applying the Four Sound Areas 6 Reflections on practice PART 3 Communicating the soundtrack 7 Adding to the lexicon 8 Closing thoughts9 Appendices 10 Credits Glossary References Index
- Presenting a cutting-edge framework which will be of interest to both aspiring and practicing professionals in sound design for all manner of media - Author has impressive professional credentials, with more than 700 IMDb credits. - An excellent addition to our growing 'Sound Design' series This title presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing, and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design.
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