Colours of film : the story of cinema in 50 palettes / Charles Bramesco.
Publisher: London : Frances Lincoln, 2023Description: 208 pages : illustrations ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volume001: BDZ0050854796ISBN: 9780711270312 (hbk.) :Subject(s): Colors in motion pictures | Motion pictures -- History | Performing Arts | Films, cinema | Film history, theory & criticism | Film: styles & genres | Popular culture | Electronic, holographic & video art | History of art | Film production: technical & background skillsDDC classification: 791.4301 LOC classification: PN1995.9.C546 | B7 2023Summary: An introduction to film through the lens of colour. Taking you from the 1900s to today, it showcases the most extraordinary use of colour and provides visually appealing palettes of some of the best movies ever made. `What's so wonderful about Bramesco's book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.' - Brian Tallerico, Editor of RogerEbert.comTaking you from the earliest feature films to today, Colours of Film introduces 50 iconic movies and explains the pivotal role that colour played in their success. The use of colour is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device.Wes Anderson's pastels and muted tones are aesthetically pleasing, but his careful use of colour also acts as a shorthand for interpreting emotion. And let's not forget Schindler's List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death. In Colours of Film, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways. Using infographic colour palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and colour lovers alike. He also explores in fascinating detail how the development of technologies have shaped the course of modern cinema, from how the feud between Kodak and Fujifilm shaped the colour palettes of the 20th Century's greatest filmakers, to how the advent of computer technologyis creating a digital wonderland for modern directors in which anything is possible.?Filled with sparkling insights and fascinating accounts from the history of cinema,Colours of Film is an indispensable guide to one of the most important visual elements in the medium of film.Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Book | MAIN LIBRARY Book | 791.4301 BRA (Browse shelf(Opens below)) | 1 | Available | 114189 |
Browsing MAIN LIBRARY shelves, Shelving location: Book, Collection: PRINT Close shelf browser (Hides shelf browser)
791.4301 BOR Film art : an introduction. | 791.4301 BOR Film art : an introduction / | 791.4301 BOR Film art : an introduction / | 791.4301 BRA Colours of film : the story of cinema in 50 palettes / | 791.4301 BUR The remembered film / | 791.4301 CHA Empty moments : cinema, modernity, and drift / | 791.4301 CUR Image and mind : film, philosophy and cognitive science / |
Enhanced descriptions from Syndetics:
'What's so wonderful about Bramesco's book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.' - Brian Tallerico, Editor of RogerEbert.com
Taking you from the earliest feature films to today, Colours of Film introduces 50 iconic movies and explains the pivotal role that colour played in their success.
The use of colour is an essential part of film. It has the power to evoke powerful emotions , provide subtle psychological symbolism and act as a narrative device .
Wes Anderson's pastels and muted tones are aesthetically pleasing, but his careful use of colour also acts as a shorthand for interpreting emotion. And let's not forget Schindler's List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death.
In Colours of Film , film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways . Using infographic colour palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and colour lovers alike.
He also explores in fascinating detail how the development of t echnologies have shaped the course of modern cinema , from how the feud between Kodak and Fujifilm shaped the colour palettes of the 20th Century's greatest filmakers, to how the advent of computer technology is creating a digital wonderland for modern directors in which anything is possible.
Filled with sparkling insights and fascinating accounts from the history of cinema, Colours of Film is an indispensable guide to one of the most important visual elements in the medium of film.
Includes bibliographical references and index.
An introduction to film through the lens of colour. Taking you from the 1900s to today, it showcases the most extraordinary use of colour and provides visually appealing palettes of some of the best movies ever made. `What's so wonderful about Bramesco's book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.' - Brian Tallerico, Editor of RogerEbert.comTaking you from the earliest feature films to today, Colours of Film introduces 50 iconic movies and explains the pivotal role that colour played in their success. The use of colour is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device.Wes Anderson's pastels and muted tones are aesthetically pleasing, but his careful use of colour also acts as a shorthand for interpreting emotion. And let's not forget Schindler's List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death. In Colours of Film, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways. Using infographic colour palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and colour lovers alike. He also explores in fascinating detail how the development of technologies have shaped the course of modern cinema, from how the feud between Kodak and Fujifilm shaped the colour palettes of the 20th Century's greatest filmakers, to how the advent of computer technologyis creating a digital wonderland for modern directors in which anything is possible.?Filled with sparkling insights and fascinating accounts from the history of cinema,Colours of Film is an indispensable guide to one of the most important visual elements in the medium of film.
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