Enhanced descriptions from Syndetics:

'I simply wanted to know - for myself and my family - what meat is. Where does it come from? How is it produced? What are the economic, social and environmental effects? Are there animals that it is straightforwardly right to eat? Are there situations in which not eating animals is wrong? If this began as a personal quest, it didn't stay that way for long . . . '

Jonathan Safran Foer's Eating Animals is the most original book on the subject of food written this century. It will change the way you think, and change the way you eat.

For good.

Reviews provided by Syndetics

Library Journal Review

Foer's first work of nonfiction explores the meat industry and factory farming and discusses the ethical and moral implications of eating meat. (LJ 7/09) (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

The latest from novelist Foer is a surprising but characteristically brilliant memoir-investigation, boasting an exhaustively-argued account of one man-child's decade-long struggle with vegetarianism. On the eve of becoming a father, Foer takes all the arguments for and against vegetarianism a neurotic step beyond and, to decide how to feed his coming baby, investigates everything from the intelligence level of our most popular meat providers-cattle, pigs, and poultry-to the specious self-justifications (his own included) for eating some meat products and not others. Foer offers a lighthearted counterpoint to his investigation in doting portraits of his loving grandmother, and her meat-and-potatoes comfort food, leaving him to wrestle with the comparative weight of food's socio-cultural significance and its economic-moral-political meaning. Without pulling any punches-factory farming is given the full expose treatment-Foer combines an array of facts, astutely-written anecdotes, and his furious, inward-spinning energy to make a personal, highly entertaining take on an increasingly visible (and book-selling) moral question; call it, perhaps, An Omnivore's Dilemma. (Nov.) Copyright 2009 Reed Business Information.

Booklist Review

*Starred Review* If this book were packaged like a loaf of bread, its Nutrition Facts box would list high percentages of graphic descriptions of factory farm methods of animal breeding, mass confinement, and assembly-line slaughter as well as the brutality and waste of high-tech fishing methods; fresh studies of animal (fish included) intelligence and their capacity for suffering; and undiluted facts about industrial animal agriculture's major role in global warming. Sensitive to the centrality of food in culture and family life, Foer, author of the novels Everything Is Illuminated (2002) and Extremely Loud and Incredibly Close (2005), frames his first nonfiction book within the story of his Holocaust survivor grandmother's complex relationship with food and his response to fatherhood. He presents assiduously assembled facts (supported by70 pages of end notes) about the miserable lives and deaths of industrialized chickens, pigs, fish, and cattle and about agricultural pollution and how factory farming engenders species-leaping flu pandemics. He also asks philosophical questions, such as why we eat such smart and affectionate animals as pigs but not dogs. Foer brings extraordinary artistry, clarity, valor, and compassion to this staggering investigation into the ethics, horrors, and dangers of factory farming. An indelible book that should reach a diverse audience and deepen the conversation about how best to live on a rapidly changing planet.--Seaman, Donna Copyright 2009 Booklist

Kirkus Book Review

Celebrated novelist Foer (Extremely Loud and Incredibly Close, 2005, etc.) examines the ethics and practical realities of eating things with faces. The author's first book-length work of nonfiction opens with a reminiscence of a grandmother who scraped for food to stay alive during the dark years of the Holocaust, yet refused to violate kashrut law to eat a proffered piece of pork, saying, "If nothing matters, there's nothing to save." Against that time of want and the food insecurity his grandmother expressed for the rest of her life, Foer examines this time of too-muchness, of cupboards full of luxuries and days full of meaty meals made possible by an elaborate system of factories, stockyards and slaughterhouses. "Eating animals," he writes, "is one of those topics, like abortion, where it is impossible to definitively know some of the most important detailsand that cuts right to one's deepest discomforts, often provoking defensiveness or aggression." To his credit, the author is not shy of exploring his own discomforts while engaging in near-Talmudic analyses of the finer points of being a carnivore: If a pig is as smart as, if not smarter, than a dog and just as fond of playing with toys, then why aren't they allowed to curl up next to the fire with us? Of course, Foer allows, there are cultures where eating dogs is considered a good thing, though none that come to mind where having pigs as pets is common. Given the environmental costs of eating meat"for every ten tuna, sharks, and other large predatory fish that were in our oceans fifty to a hundred years ago, only one is left"and the looming sense that a time of scarcity is again in the offing, Foer's case for ethical vegetarianism is wholly compelling. A blend of solidand discomfortingreportage with fierce advocacy that will make committed carnivores squeal. Copyright Kirkus Reviews, used with permission.