Fake love letters, forged telegrams, and prison escape maps : designing graphic props for filmmaking / Annie Atkins.
Publisher: London : Phaidon Press Limited, 2020Copyright date: ©2020Description: 206 pages : illustrations (chiefly color) ; 26 cmContent type: text | still image Media type: unmediated Carrier type: volume001: 21621291ISBN: 9780714879383; 071487938XOther title: Designing graphic props for filmmakingSubject(s): Stage props | Stage props -- Design | Motion pictures -- Setting and scenery | Graphic arts | Graphic arts | Motion pictures -- Setting and scenery | Stage propsDDC classification: 791.43025 LOC classification: PN1995.9.S69 | A85 2020| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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| Book | MAIN LIBRARY Book | 791.43025 ATK (Browse shelf(Opens below)) | 1 | Available | 112174 |
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| 791.43024 WHI Sound design and science fiction / | 791.43024 WHI Sound design and science fiction / | 791.43024 WHI Sound design and science fiction / | 791.43025 ATK Fake love letters, forged telegrams, and prison escape maps : designing graphic props for filmmaking / | 791.43026 BER Screen style : fashion and femininity in 1930s Hollywood / | 791.43026 COO Fashioning the nation : costume and identity in British cinema / | 791.43026 HEA Edith Head's Hollywood |
Enhanced descriptions from Syndetics:
A behind-the-scenes look at the extraordinary and meticulous design of graphic objects for film sets
Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.
Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.
Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.
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