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Yves Saint Laurent : 5, avenue Marceau, 75116, Paris, France / David Teboul ; foreword by Pierre Bergâe.

By: Teboul, DavidPublisher: New York London : Harry N. Abrams, 2002Description: 540p. col. ill.; 25 cm001: 9997ISBN: 0810905655Subject(s): Saint Laurent, Yves | Fashion designers | Costume designDDC classification: 746.92092 SAI
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Book MAIN LIBRARY Book PRINT 746.92092 SAI (Browse shelf(Opens below)) 1 Available 091186

Enhanced descriptions from Syndetics:

Follows le grand couturier through every stage of his preparations for the 2002 spring collections. Also included are never-before-published quotes from YSL, photographs from his early years and pages from his mother's scrapbook.

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Library Journal Review

At age 21, Yves St. Laurent took over as head of the prestigious House of Dior; at age 25, he opened his own firm; and after a lifetime of achievement, he has now announced his upcoming retirement. To mark this event, these books are being published in conjunction with 5, avenue Marceau, a documentary on his incredible 40-year career. LIFE photographer Boulat offers a photomontage of the young St. Laurent in his first year as an independent designer, while Teboul (the director of the documentary) jumps ahead to focus on the step-by-step operations of putting together the show for his Spring 2002 line. To his credit, Teboul does provide some background information on the designer, including childhood photos, a biographical chronology, reproductions of early newspaper clippings (from the scrapbooks of St. Laurent's mother), a complete checklist of his major shows, and four pages of notable St. Laurent quotes. Nonetheless, except for the childhood photos, neither the people nor the activities in any of the pictures are identified. (Perhaps they will be in the documentary.) The publisher describes Teboul's as the "definitive volume," but in fact neither book sheds much light on St. Laurent's life or career. The hundreds of photos are fun to look through (especially when they convey the energy and oftentimes frantic pace of putting together a show), but both books disappoint for lack of comprehensive documentation of this important designer's work. Margarete Gross, Chicago P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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