Understanding digital cinema : a professional handbook / edited by Charles S. Swartz
Publisher: Oxford : Focal Press, c2005Description: xvi, 327 p. ill. 24 cm001: 8884ISBN: 0240806174Subject(s): Digital cinematography | Motion picturesDDC classification: 791.4309 SWAItem type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Book | MAIN LIBRARY Book | 791.4309 SWA (Browse shelf(Opens below)) | 1 | Available | 080461 |
Browsing MAIN LIBRARY shelves, Shelving location: Book, Collection: PRINT Close shelf browser (Hides shelf browser)
791.4309 SAL Film style and technology : history and analysis / | 791.4309 SAL Film style and technology : history and analysis / | 791.4309 STO Crossing the wall : the Western feature film import in East Germany / | 791.4309 SWA Understanding digital cinema : a professional handbook / | 791.4309 TAY Digital cinema : the Hollywood insiders guide to the evolution of storytelling / | 791.4309 THO Film history : an introduction / | 791.4309 WIL New digital cinema : reinventing the moving image / |
Enhanced descriptions from Syndetics:
UNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management. * An overview of digital cinema system requirements * Post production work flow * Color in digital cinema * The digital cinema mastering process * Fundamentals of compression * Security * Basics of audio * Digital distribution * Digital projection technology * Theater systems * The international perspective: Views from Europe, Asia and Latin America * A realistic assessment of the future of digital cinema With contributions by: Richard Crudo, President, American Society of Cinematographers Leon Silverman, Executive Vice President, Laser Pacific Media Corporation Charles Poynton, Color Scientist Chris Carey, Senior Vice President, Studio New Technology, The Walt Disney Studios Bob Lambert, Corporate Senior Vice President New Technology & New Media, The Walt Disney Company Bill Kinder, Pixar Animation Studios Glenn Kennel, DLP Cinema Peter Symes, Manager, Advanced Technology, Thomson Broadcast & Media Solutions Robert Schumann, President, Cinea, Inc., A Subsidiary of Dolby Labs David Gray, Vice President, Production Services, Dolby Laboratories, Inc. Darcy Antonellis, Executive Vice President, Distribution and Technology Operations Warner Bros. Technical Operations Inc. and Senior Vice President, Worldwide Anti-Piracy Operations Warner Bros. Entertainment Inc. Matt Cowan, Principal and Founder, Entertainment Technology Consultants Loren Nielsen, Principal and Founder, Entertainment Technology Consultants Michael Karagosian, Partner, Karagosian MacCalla Partners (KMP) Peter Wilson, Vice President, Display Technologies, Snell and Wilcox Ltd. Patrick Von Sychowski, Senior Analyst, Screen Digest Wendy Aylsworth, Vice President of Technology, Warner Bros. Technical Operations Inc.
Includes bibliographies and index
Table of contents provided by Syndetics
- Foreword, How New Technology Has Shaped Motion Pictures
- A Short History
- Introduction
- The New Workflow For Post Production
- Color in Cinema
- The Mastering Process
- Compression
- Security
- Audio
- Distribution
- Projection
- Theatre Systems
- The International Perspective
- The View from Europe by Peter Wilson
- The International Perspective
- The View from Asia & Latin America
- The Future of Digital Cinema
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