Enhanced descriptions from Syndetics:

The ninety-five African American contemporary photographers represented in this volume have used their cameras as tools of social commentary and personal and artistic exploration, bearing witness to changes in the American experience over the past fifty years. These uncompromising, thought-provoking, often highly politicized images cover such subjects as the daily life of African Americans; the struggle of the Civil Rights movement; the history of Black musicianship; and the influence of African American art, literature, and ideals of beauty on American society at large. Black artists, philosophers, writers, poets, musicians, politicians, and sports heroes are featured throughout. Some of the images address the most personal issues of philosophy and identity. The photographers featured, all working today and most of them at the height of their productivity, come from every region of the United States; together, their work represents a far-ranging exploration of contemporary African American identity.

Reviews provided by Syndetics

Library Journal Review

Accompanying an exhibition at the Brooklyn Museum of Art, this volume provides a remarkable sampling of the work of almost 100 contemporary African American photographers. Although each photographer is represented by only a few images, his or her unique vision and artistic techniques are readily evident. What these artists have in common is the use of the photographic medium to make powerful statements about the black experience in America, with results ranging from profoundly dignified portraits of both famous and ordinary people, to photojournalistic records of the ongoing struggle for justice and civil rights, and symbolic (and sometimes abstracted) images focusing on important social/racial issues. Preceding the catalog of images are several short essays that provide some historical background to black photography and underscore the unambiguously assertive content of the photographs. Short biographies of the 94 photographers are also provided. Highly recommended for any library with an interest in black studies, history of photography, or American culture. Eugene C. Burt, Data Arts, Seattle (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Hundreds of black photographers submitted their work to the Brooklyn Museum, and 94 were selected for an exhibition that outraged the notoriously art-phobic mayor of New York. The offending image, Renee Cox's bold variation on a traditional subject, Yo Mama's Last Supper, a finely composed work electric with wit and many currents of meaning, is here in all its hard-hitting glory. So are the poetic street compositions of Nathaniel Burkins and Beuford Smith and Chuck Stewart's elegant portrait of John and Alice Coltrane. Every photograph in this powerful collection is "charged with a mythic energy," as critic and New York University professor Clyde Taylor writes in his introductory essay, because images of "the Black face" are still new and unsettling within the context of Western art. The political is, indeed, wed to the aesthetic in these exceptional works, and each photograph generates its own particular jolt of revelation, while bathing the viewer in its own unique form of beauty. Donna Seaman