Mise-en-scene : film style and interpretation / John Gibbs.
Publisher: London : Wallflower, 2001001: 8773ISBN: 190336406X(pbk.) :Subject(s): Motion pictures - production and direction | AestheticsDDC classification: 791.4302 GIBItem type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Book | MAIN LIBRARY Book | 791.4302 GIB (Browse shelf(Opens below)) | 1 | Available | 067382 |
Browsing MAIN LIBRARY shelves, Shelving location: Book, Collection: PRINT Close shelf browser (Hides shelf browser)
791.4302 COO The art of short form content : from concept to color correction / | 791.4302 DER Derek Jarman's sketchbooks / | 791.4302 DOY Understanding design in film production : using art, light, and locations to tell your story / | 791.4302 GIB Mise-en-scene : film style and interpretation / | 791.4302 HAL Production design / | 791.4302 HER Werner Herzog : a guide for the perplexed / | 791.4302 HUR Voice & vision : a creative approach to narrative film and DV production / |
Enhanced descriptions from Syndetics:
Mise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.
Table of contents provided by Syndetics
- Introduction
- 1 The Elements of Mise-en-Scène
- 2 The Interaction of Elements
- 3 Coherent Relationships
- 4 Investigations in the Critical History of Mise-en-Scène
- 5 Mise-en-Scène and Melodrama
- 6 Case Study: Imitation of Life
- Conclusion
- Appendix
- Notes
- Bibliography
- Index
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