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The emotional power of music : multidisciplinary perspectives on musical arousal, expression, and social control / edited by Tom Cochrane, Bernardino Fantini, Klaus R. Scherer ; contributors, Brenno Boccadoro [and twenty-two others].

Contributor(s): Cochrane, Tom, 1978- [editor.] | Fantini, Bernardino [editor.] | Scherer, Klaus R [editor.] | Boccadoro, Brenno [contributor.]Series: Series in affective science: Publisher: Oxford, England : Oxford University Press, 2013Copyright date: ©2013Description: 1 online resource (392 pages) : illustrations, musicsContent type: text Media type: computer Carrier type: online resource001: 45217ISBN: 9780191504952 (e-book)Subject(s): Music -- Psychological aspects | Emotions in musicGenre/Form: Electronic books.Additional physical formats: Print version:: Emotional power of music : multidisciplinary perspectives on musical arousal, expression, and social control.DDC classification: 781.1/1 LOC classification: ML3830 | .E48 2013Online resources: Click to View
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
eBooks MAIN LIBRARY Electronic Books ONLINE 781.11 23 (Browse shelf(Opens below)) 1 Available 45217-1001

Enhanced descriptions from Syndetics:

How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology

Includes bibliographical references at the end of each chapters and index.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

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