Archipelago : an atlas of imagined islands / edited by Huw Lewis-Jones ; prologue by Chris Riddell.
Publisher: London : Thames & Hudson, 2019Description: 192 pages : illustrations (black and white, and colour), maps (black and white, and colour) ; 27 cmContent type: text | still image | cartographic image Media type: unmediated Carrier type: volume001: 43960ISBN: 9780500022566 (hbk.) :Subject(s): Imaginary places | Islands in literature | LiteratureDDC classification: 823.0222 LEW LOC classification: PN56.I44 | A7 2019Summary: Islomania is a recognised affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari - literally the 'island books'. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, 'Robinson Crusoe,' one of the first great novels in the history of literature and an instant bestseller. Defoe's tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling.| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
| Book | MAIN LIBRARY FICTION | FICTION (Browse shelf(Opens below)) | 1 | Available | 113656 |
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Enhanced descriptions from Syndetics:
What is it about islands that is so alluring, and why do so many people find these self-contained worlds irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. In 1719, Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of English literature and an instant bestseller. Defoe's tale combined the real and the imagined into a compelling creative landscape, establishing a whole literary genre and unleashing the power of islands in storytelling.
To celebrate the tercentenary of the publication of Robinson Crusoe, Archipelago presents a truly international range of leading illustrators who imagine they too have washed up on their own remote island. In specially created maps, they visualize what their island looks like, what it's called, and what can be found on its mythical shores. In a panoply of astonishingly creative responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers, and dreamers alike.
Map on lining papers.
Islomania is a recognised affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari - literally the 'island books'. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, 'Robinson Crusoe,' one of the first great novels in the history of literature and an instant bestseller. Defoe's tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling.
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