Enhanced descriptions from Syndetics:

As heard on Radcliffe and Maconie, Danny Baker and Simon Mayo

'Fascinating from start to finish' Simon Mayo, Radio 2

The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations.

What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had.

What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.

In Uncommon People , David Hepworth zeroes in on defining moments and turning points in the lives of forty rock stars from 1955 to 1995, taking us on a journey to burst a hundred myths and create a hundred more.

As this tribe of uniquely motivated nobodies went about turning themselves into the ultimate somebodies, they also shaped us, our real lives and our fantasies. Uncommon People isn't just their story. It's ours as well.

Reviews provided by Syndetics

Library Journal Review

BBC radio host, Guardian columnist, and author (Never a Dull Moment) Hepworth takes a year-by-year approach in documenting the concept of the rock star in this title. He begins in 1955 with Little Richard and the writing and recording of "Tutti Frutti," and moves up to the rise and 1994 suicide of Kurt Cobain, whom Hepworth claims was the last rock star. Along the way, the Beatles appear, and the Who, Elvis Presley, Janis Joplin, Jim -Morrison, David Bowie's Ziggy Stardust persona, and other expected icons. -Hepworth does have a British view of the concept of the rock star, however, so Ian Drury, a briefly popular new wave/punk figure, is included. Although Drury barely made a ripple in U.S. rock music, his presence tells the reader something important about what being a "rock star" meant at the time. Interestingly, Hepworth devotes a final chapter to the post-Cobain rock stars, the "computer nerds" who brought us Apple, Microsoft, and the like, during the 1990s. VERDICT A worthwhile read for all pop music fans. Highly recommended. [See Prepub Alert, 4/24/17.]-James E. -Perone, Univ. of Mount Union, Alliance, OH © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Hepworth is sorry to break it to us, but the age of the rock star is over. As is the age of physical product. The music industry is digital now, and rock stars have given way to internet sensations, automated percussion, manufactured performers, and the committee approach to songwriting and production. That's a bleak appraisal of the current state of affairs in the popular-music business, but Hepworth makes his case persuasively, while also offering an affectionate, dramatic, and frequently wistful look back at the rock-star era, which began, he argues, in 1955 with Little Richard, who was followed in '56 by Elvis, the first rock idol. Looking at one rock star for each year between 1955 and 1994 (when the man identified as the last rock star, Kurt Cobain, died), Hepworth perceptively shows how our notion of a rock star evolved over the years, as did the music itself. Despite its death-of-an-era theme, the book is really an enthusiastic, even passionate, celebration of rock stars and their music.--Pitt, David Copyright 2018 Booklist

Kirkus Book Review

An award-winning music journalist compiles a spirited celebration of rock stars.Hepworth (Never a Dull Moment: 1971, the Year that Rock Exploded, 2016, etc.), media correspondent for the Guardian, laments the demise of the rock star, which occurred at the end of the last century, caused by "the rise of automated percussion, the domination of the committee approach to hit-making, the widespread adoption of choreography, and above all the mystique-destroying rise of the internet." Rock stars exuded reckless glamour and defiant irreverence. Their predominant qualities included "swagger. Impudence. Sexual charisma," and "damn-the-torpedoes self-belief." Now, in the hip-hop generation of social media and streaming music, Hepworth finds no one worthy of the term "rock star," which may puzzle some fans of Rihanna, Taylor Swift, or Justin Bieber. In 40 year-by-year chapters, the author profiles stars who gleamed in the music firmament from 1955 to 1994, focusing on one day in the performer's lifesometimes a concert, recording session, or simply a mundane eventto spin out a minibiography. He appends each chapter with a list of 10 songs that were made, released, or became hits that year "in order to give a flavor of the time." In 1955, for example, when Little Richard came out with his racy "Tutti Frutti," Frank Sinatra was a hit with "In the Wee Small Hours," and Lonnie Donegan, with "Rock Island Line." Simon and Garfunkel, Elton John, and Led Zeppelin represented the range of popular taste in 1970. Rock fans will find the usual suspects, including Elvis Presley, each of the Beatles, Jerry Lee Lewis, Buddy Holly, Mick Jagger, Keith Moon, Jimi Hendrix, Ozzy Osbourne (whose substance abuse got him kicked out of Black Sabbath), Lou Reed, Bruce Springsteen, David Bowie, Michael Jackson, Prince, Axl Rose, and groups including the Rolling Stones, the Who, Duran Duran, and Fleetwood Mac. Janis Joplin and Madonna are among the few women who make it into this encyclopedic volume.A lively compendium of sex, drugs, and rock 'n' roll. Copyright Kirkus Reviews, used with permission.