The photofilmic : entangled images in contemporary art and visual culture / edited by Brianne Cohen & Alexander Streitberger
Series: Lieven Gevaert Series ; vol. 21 Leuven : Leuven University Press, 2016Description: 301 pages : illustrations (black and white, and colour) ; 23 cmContent type: text Media type: unmediated Carrier type: volume001: 42850ISBN: 9789462700420Subject(s): Art and the Internet | Cinematography and photography | Art and photography | Time in art | War -- Press coverageDDC classification: 770.1 COHItem type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Book | MAIN LIBRARY Book | 770.1 COH (Browse shelf(Opens below)) | 1 | Available | 099448 |
Browsing MAIN LIBRARY shelves, Shelving location: Book, Collection: PRINT Close shelf browser (Hides shelf browser)
770.1 CAM Photography and cinema / | 770.1 CAM Photocinema : the creative edges of photography and film / | 770.1 CLA The photograph | 770.1 COH The photofilmic : entangled images in contemporary art and visual culture / | 770.1 COT The photograph as contemporary art / | 770.1 DYE The ongoing moment / | 770.1 DYE The ongoing moment / |
Enhanced descriptions from Syndetics:
This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone.The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture. This volume also contains, as an artist's contribution, a substantial and richly illustrated interview with Eric Baudelaire. Contributors: Eric Baudelaire (Paris), Brianne Cohen (Amherst College), Stefanie Diekmann (University of Hildesheim), Evgenia Giannouri (Paris 3 Sorbonne Nouvelle), Lilian Haberer (University of Cologne), Jana J. Haeckel (UCL), Ágnes Pethö (Sapientia University of Transylvania, Romania), Eivind Rossaak (National Library of Norway), Linda Schädler (ETH Zurich), Terry Smith (University of Pittsburgh), Alexander Streitberger (UCL), Hilde Van Gelder (KU Leuven)
Includes bibliographical references.
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