Image from Syndetics
Adobe Premiere Pro CC / Jan Ozer ; contributing writer, Shawn Lam.
By: Ozer, Jan [author]
Series: Visual quickstart guide[United States] : Peachpit Press [2013]Description: viii, 455 pages : illustrations (colour) ; 23 cmContent type: text Media type: unmediated Carrier type: volume001: 42225ISBN: 9780321929549Subject(s): Adobe Premiere | Editing | Post ProductionDDC classification: 005.3 OZE
| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
| Book | MAIN LIBRARY Book | 005.3 OZE (Browse shelf(Opens below)) | 1 | Available | 112006 |
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| 005.3 MAY Maya character creation : modeling and animation controls / | 005.3 MEL MEL scripting for Maya animators | 005.3 MIN MiniCAD VectorWorks : object-based CAD for professionals | 005.3 OZE Adobe Premiere Pro CC / | 005.3 PET Combustion ground rules / | 005.3 PET Combustion ground rules / | 005.3 VEC VectorWorks 10 for Windows and Macintosh : by Tom Baer. |
Enhanced descriptions from Syndetics:
In this clear and straightforward guide, digital video veteran Jan Ozer gives beginning and intermediate video editors just what they need to know on Adobe Premiere Pro CC. Tasked-based, step-by-step instructions and loads of visuals and time-saving tips help professionals and newcomers alike quickly find and learn tasks specific to their needs, benefiting from the award-winning Visual QuickStart style. Topics covered include essential editing tasks and media-management strategies, transitions, effects and filters, rendering options, and optimal editing and production strategies for streaming delivery of HD source content. It includes coverage of all the new features in Premiere Pro CC, such as working with closed captions, enhanced multicam workflows, and significantly improved audio effects.
Table of contents provided by Syndetics
- Chapter 1 Welcome to Adobe Premiere Pro (p. 1)
- Touring the Interface (p. 2)
- The Premiere Pro Workflow (p. 4)
- Choosing Your Workspace (p. 9)
- About Your Workspace (p. 11)
- Customizing Your Workspace (p. 13)
- Setting-Preferences (p. 17)
- Working with Keyboard Shortcuts (p. 22)
- Chapter 2 Setting Up Projects (p. 25)
- Working with Projects (p. 26)
- Working with Missing and Offline Files (p. 31)
- Chapter 3 Importing Media (p. 35)
- Import Options (p. 36)
- Ingesting File-based Content in the Media Browser (p. 37)
- Importing from Tape-based Devices: Hardware (p. 41)
- Importing from Tape-based Devices: Software (p. 45)
- Using Playback Controls in the Capture Panel (p. 49)
- Working with Adobe Photoshop Files (p. 53)
- Importing Files from Your Hard Disk (p. 60)
- Importing Content from Premiere Pro Projects (p. 62)
- Generating Media with Adobe Premiere Pro (p. 65)
- Working with Dynamic Link (p. 66)
- Chapter 4 Organizing and Viewing Clips (p. 69)
- Working in the Project Panel (p. 70)
- Project Panel Basics (p. 72)
- Clip Management in the Project Panel (p. 74)
- Finding Clips in the Project Panel (p. 78)
- Organizing Your Content with Bins (p. 83)
- Working with Bin-Related Preferences (p. 86)
- Working in List View (p. 89)
- Working in Icon View (p. 93)
- Viewing Clips in the Source Monitor (p. 98)
- Controlling Playback in the Source Monitor (p. 100)
- Configuring the Source Monitor (p. 102)
- Working with Clips in the Source Monitor (p. 108)
- Working with Subclips (p. 116)
- Choosing Display Modes (p. 118)
- Working with Metadata (p. 122)
- Working with Sequences (p. 126)
- Storyboard Editing in the Project Panel (p. 133)
- Chapter 5 Working with the Timeline (p. 135)
- Customizing the Timeline (p. 136)
- Adding and Deleting Tracks (p. 143)
- Choosing the Timecode Display Format (p. 147)
- Navigating in the Timeline (p. 149)
- Monitoring Audio and Video (p. 153)
- Sync Lock and Track Lock (p. 155)
- Getting Clips to the Timeline (p. 158)
- Insert and Overwrite Edits (p. 162)
- Three- and Four-Point Edits (p. 168)
- Playing Clips in the Program Monitor (p. 172)
- Chapter 6 Editing in the Timeline (p. 175)
- Selecting Clips on the Timeline (p. 176)
- Grouping and Ungrouping Clips (p. 180)
- Working with Snapping (p. 182)
- Dragging Clips in the Timeline (p. 183)
- Moving Clips via Keyboard Controls and the Keypad (p. 188)
- Moving Clips from Track to Track (p. 190)
- Working with Track Targeting (p. 192)
- Cut, Copy, Paste, and Paste Insert (p. 194)
- Deleting Clips on the Timeline (p. 198)
- Finding and Deleting Gaps in the Timeline (p. 200)
- Performing Lift and Extract Edits (p. 203)
- Replacing a Clip on the Timeline (p. 205)
- Splitting Clips (p. 208)
- Linking and Unlinking Clips (p. 212)
- Adding Markers on the Timeline (p. 214)
- Chapter 7 Advanced Timeline Techniques (p. 221)
- About the Trimming Modes (p. 222)
- Editing in the Program Monitor (p. 232)
- Trimming with Keyboard Controls (p. 241)
- Producing Split Edits (p. 244)
- Changing Clip Speed (p. 245)
- Working with Nested Clips (p. 248)
- Finding Stuff (p. 253)
- Chapter 8 Adding Motion to Clips (p. 255)
- Working with Premiere Pro's Motion Controls (p. 256)
- Adjusting Effects in the Timeline (p. 265)
- Working with Keyframes (p. 267)
- Working with Keyframes in the Effect Controls Panel (p. 269)
- Customizing Keyframes (p. 273)
- Time Remapping via Keyframes (p. 277)
- Chapter 9 Working with Video Effects (p. 279)
- About Premiere Pro Effects (p. 280)
- The Effects Workflow (p. 283)
- Animate an Effect with Keyframes (p. 288)
- Applying Effects to Multiple Clips (p. 290)
- Keying and Greenscreen Basics (p. 297)
- Applying and Configuring the Ultra Key Effect (p. 298)
- Cleaning Up Edges with Garbage Mattes (p. 304)
- Chapter 10 Working with Transitions (p. 307)
- About Transitions (p. 308)
- Working with Transitions (p. 312)
- Customizing Transitions (p. 317)
- Fading In from and Out to Black (p. 320)
- Audio Transitions (p. 323)
- Adding the Default Transitions to Multiple Clips (p. 326)
- Chapter 11 Color and Brightness Correction (p. 327)
- Working in Color Correction Mode (p. 328)
- Using the Waveform Monitor (p. 331)
- Color-Correcting Your Video (p. 337)
- Applying Lumetri Effects with Adjustment Layers (p. 341)
- Chapter 12 Multi-Camera Editing (p. 345)
- Syncing Clips from Multiple Cameras (p. 346)
- Identifying Sync Points Using a Multi-Camera Source Sequence (p. 348)
- Accessing the Multi-Camera Source Sequence in the Timeline (p. 354)
- The Nested Sequence Method (p. 358)
- Producing Multi-Camera Edits (p. 362)
- A Few Additional Audio Notes (p. 365)
- Chapter 13 Working with Titles (p. 367)
- About Titles (p. 368)
- Working with the Titler (p. 369)
- Working with Premiere Pro's Title Templates (p. 371)
- Working with Text (p. 373)
- Setting Text and Shape Properties (p. 377)
- Working with Styles (p. 382)
- Creating Shapes (p. 384)
- Arranging Shapes and Text (p. 385)
- Centering, Aligning, and Distributing Objects (p. 386)
- Working with Logos (p. 388)
- Creating Rolls and Crawls (p. 389)
- Chapter 14 Working with Audio (p. 391)
- Adjusting Volume in the Effect Controls Panel (p. 392)
- Adjusting Volume on the Timeline (p. 396)
- Working with Gain (p. 398)
- Sending Audio to Adobe Audition (p. 402)
- Entering the Audio Workspace (p. 403)
- Working with Audio Effects (p. 406)
- Chapter 15 Publishing Your Video (p. 413)
- Exporting Still Images (p. 414)
- Exporting Media from Premiere Pro (p. 415)
- About Adobe Media Encoder (p. 424)
- Watch Folders (p. 430)
- Workflows (p. 431)
- Index (p. 435)
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