Logo-art : innovation in logo design / by Charlotte Rivers
By: Rivers, Charlotte
Publisher: Hove : RotoVision, 2008Description: 160p. ill.[chiefly col.]; 23cm001: 12186ISBN: 9782940361816; 2940361819Subject(s): Logos | Symbols | Graphic artsDDC classification: 659.134 RIV
| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
| Book | MAIN LIBRARY Book | 659.134 RIV (Browse shelf(Opens below)) | 1 | Available | 093606 |
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| 659.134 PAV Brand new / | 659.134 PET Worldwide identity : inspired design from forty countries / | 659.134 PIE Fashion brand graphics / | 659.134 RIV Logo-art : innovation in logo design / | 659.134 RIV Identify : building brand through letterheads, logos and business cards / | 659.134 ROB Lovemarks : the future beyond brands / | 659.134 ROO Dictionary of trade name origins rev ed |
Enhanced descriptions from Syndetics:
In a station of the metro in Rio de Janeiro, where both live, illustrator Haruki and artisan Celina meet by chance--and soon decide, however improbably, to travel together to Japan. Their shared destination: the famous Rakushisha, or Hut of Fallen Persimmons, where seventeenth-century haiku master Matsuo Basho once stayed. Their trip to Kyoto provides a context for each to meditate on the past, their feelings for each other, and questions of cultural difference. Through a counterpoint of narration and text, the pair's losses and struggles gradually unfold. Basho's haiku brilliantly mold the novel's structure. Basho's translator in Brazil, readers learn, is Haruki's great unrequited love, and Celina's sad eyes conceal a tragedy in her own life. In this exquisitely woven novel, meant to be cradled in both hands as the Japanese might hold a precious object, the characters' every gesture, reflection, and self-revelation are manifest.
Includes index
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