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Grid systems : principles of organizing type / by Kimberly Elam.

By: Elam, KimberlyPublisher: New York : Princeton Architectural, 2004Description: 120p. ill. [some col.]; 22cm001: 11560ISBN: 1568984650Subject(s): Graphic design | Typography | LayoutsDDC classification: 686.225 ELA
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Book MAIN LIBRARY Book PRINT 686.225 ELA (Browse shelf(Opens below)) 1 Available 082386
Book MAIN LIBRARY Book PRINT 686.225 ELA (Browse shelf(Opens below)) 2 Available 082385
Book MAIN LIBRARY Book PRINT 686.225 ELA (Browse shelf(Opens below)) 3 Checked out 17/05/2024 113912

Enhanced descriptions from Syndetics:

Although grid systems are the foundation for almost all typographic design, they are often associated with rigid, formulaic solutions. However, the belief that all great design is nonetheless based on grid systems (even if only subverted ones) suggests that few designers truly understand the complexities and potential riches of grid composition.
In her best-selling Geometry of Design , Elam shows how proportion, symmetry, and other geometrical systems underlie many of the visual relationships that make for good design. Now, Elam brings the same keen eye and clear explanations to bear on the most prevalent, and maybe least understood, system of visual organization: the grid.
Filled with extensive research and more than 100 informative examples from the Bauhaus to Nike ads, Grid Systems provides a rich, easy-to-understand overview and demonstrates a step-by-step approach to typographic composition. It suggests design strategies that transcend simple function and reductionist recipes to allow grids to become a means of truly dynamic communication. Any designer, educator, or student will benefit greatly from this elegant slim book, chock-a-block full of colorful examples, helpful vellum overlays, and Elam's insightful analysis.

Includes index, acknowledgments, bibliography, credits

Table of contents provided by Syndetics

  • Introduction (p. 5)
  • Project Elements and Process (p. 7)
  • Constraints and Options (p. 8)
  • Proportion of Elements (p. 9)
  • Grouping (p. 10)
  • Negative Space and Grouping (p. 11)
  • Perimeter Edge and Axial Relationships (p. 12)
  • The Law of Thirds (p. 13)
  • The Circle and Composition (p. 14)
  • Horizontal Composition (p. 17)
  • Brochure for Die Neue Typographie (p. 35)
  • Cover Page and Text Page from The Isms of Art (p. 36)
  • Spread from the Catalog of Bauhaus Products (p. 37)
  • Theatre Am Hechtplatz Advertisement (p. 38)
  • SamataMason Web Site (p. 40)
  • Institute for Architecture and Urban Studies Graphic Program (p. 42)
  • Sotheby's Graphic Program (p. 44)
  • Table of Contents Spread for The New Urban Landscape (p. 45)
  • Horizontal/Vertical Composition (p. 46)
  • Zurcher Kunstler im Helmhaus Poster (p. 63)
  • Nike ACG Pro Purchase Catalog (p. 64)
  • Program for Zurich University's 150th Anniversary (p. 66)
  • Best Swiss Posters of the Year 1992 (p. 67)
  • Festival d'ete (Summer Festival), Program Spread (p. 68)
  • Columbia University, Graduate School of Architecture and Planning Posters (p. 69)
  • Diagonal Composition (p. 71)
  • Kandinsky Poster (p. 89)
  • Page from Reklama Mechano (p. 90)
  • Page from The Next Call (p. 90)
  • National-Zeitung (Newspaper) Poster Series (p. 91)
  • Title Page Studies for the Freiburg Municipal Theatre (p. 92)
  • Columbia University, Graduate School of Architecture and Planning, Lecture and Exhibition Posters (p. 94)
  • Typographic Hierarchy (p. 97)
  • Case Study: Identification of the AIDS Virus (p. 104)
  • Case Study: The Beginning of Communism in Cuba (p. 107)
  • Case Study: Levi's Become Fashion (p. 112)
  • Case Study: "If the glove don't fit, you must acquit." (p. 116)
  • Acknowledgments (p. 118)
  • Image Credits (p. 118)
  • Selected Bibliography (p. 118)
  • Index (p. 119)

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