Enhanced descriptions from Syndetics:

Now in paperback, from the author of the bestseller The Snowman, a poignant, funny, utterly original graphic memoir that tells the story of his parents lives.

Reviews provided by Syndetics

Library Journal Review

Briggs, a children's author, tells the story of his parents in this affecting memoir. Though his parents led simple lives, the adept illustrations and loving portrayal is heartrending and beautiful. A frequent favorite on critics' best graphic novels lists. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

This wonderful book by noted children's author/illustrator Briggs (The Snowman) is something quite new: the story of his parents' quiet lives, played out against the stirring events of the century, done as a comic strip. Ethel was a rather timid ladies' maid, Ernest a dashing milkman, when they first saw each other in 1928. He swept her off in a whirlwind courtship, and they bought the little London row house where they were to live the rest of their days. In pictures exquisitely attuned to the niceties of English domestic architecture and period clothes, Briggs takes Ethel and Ernest fondly through the decades. He is born, a source of great joy, but it's a difficult birth and Ethel is told she can't have any more children. World War II approaches, and little Raymond is sent off to the country as an evacuee. After the war, Ernest, an ardent Socialist, believes that utopia has arrived, while the more cautious and conservative Ethel keeps bringing him back to earth. Then come the wonders of their first car, the advent of television, Raymond's eventual marriage in the swinging '60s and the aging couple's gradual decline into senility, floowed by their deaths within weeks of each other. The dialogue is heartbreakingly accurate, the pictures cinematic in their conveyance of delight and drama; the whole book is not only a deeply moving testament to "ordinary" folk but a precious piece of social historyÄthe essence of a lower-middle-class English life over seven decades. This was deservedly a bestseller in England and warrants no less here. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

YA-An engrossing and revelatory picture story. After a brief courtship, Ethel, a ladies' maid, and Ernest, a milkman, married and bought a house. Much bemused at the size and amenities of this dwelling, they settled in to make a home. After some years, their only child, Raymond, was born and the small family moved through the world of working-class England before, during, and after World War II. Ernest's strong socialist bent contrasted with Ethel's admiration of the vanishing aristocracy. The Depression years, Raymond's evacuation during the war, the Blitz and the extended rationing, and the new socialistic government policies and the relative security of the `50s are realistically portrayed in both colored pictures and text. While presenting this story in a comic-strip format, Briggs doesn't flinch at revealing personal details; at the end, readers see his mother's disease-ravaged corpse and his father's inability to carry on. This is a vivid chronicle of a time and place not very far past and the life story of an average, but loved and loving couple. As a memoir, as a graphic novel, as an invitation to participate in someone else's memories, it is most successful. A quick but haunting read that's sure to involve anyone who picks it up.-Susan H. Woodcock, Chantilly Regional Library, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Briggs' acutely observed, lovingly told comic-strip tale of milkman Ernest and housemaid Ethel, who meet and marry in post^-World War I London, is the story of a prototypical working-class couple, a pocket history of Britain in the twentieth century, and a touching tribute to Briggs' parents, the book's inspiration. Ethel and Ernest nobly contend with the onslaught of the century's changes, from the blitz to decimal currency to a man on the moon, as well as such personal tribulations as their son Raymond's decision to go to art school ("He'll never get a proper job with hair like that!" Ethel moans). Briggs' detailed drawings--pastel renderings that often conjure a dreamlike aura--well evoke period and milieu, and his spot-on dialogue nails the characters, contrasting Ernest's naive idealism and Ethel's common sense. The many Briticisms may put off some stateside readers, and the comic-strip format may discourage others, but Briggs' warmhearted celebration of the ordinary is surely appealing enough to win the big audience it deserves. --Gordon Flagg