3-D filmmakers : Conversations with creators of stereoscopic motion pictures / Ray Zone.
Series: Filmmakers series: no. 119Publisher: Lanham, Md. : Oxford : The Scarecrow Press; Oxford Publicity Partnership [distributor], 2005Description: xi, 179 p. ; 26 cm001: 25719ISBN: 0810854376 (pbk.) :Other title: Three-D filmmakers | 3D film makersSubject(s): 3-D films -- History | Motion picture producers and directors -- InterviewsDDC classification: 778.5341Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Book | MAIN LIBRARY Book | 778.5341 ZON (Browse shelf(Opens below)) | 1 | Available | 099489 |
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778.5341 PUB 3D cinema and beyond / | 778.5341 ZON Stereoscopic cinema & the origins of 3-D film, 1838-1952 / | 778.5341 ZON Stereoscopic cinema & the origins of 3-D film, 1838-1952 / | 778.5341 ZON 3-D filmmakers : Conversations with creators of stereoscopic motion pictures / | 778.5341 ZON 3-DIY : stereoscopic moviemaking on an indie budget / | 778.5343 ALT Painting with light | 778.5343 ALT Painting with light |
Enhanced descriptions from Syndetics:
Although numerous books about conventional filmmaking exist, none has solely addressed the challenges and production requirements of making stereoscopic motion pictures. Until now. Stereographer and film historian, Ray Zone, presents the insights of twenty-one professionals who have worked in this specialized field.
In this unique collection of interviews, Zone explores the art and craft of 3-D filmmaking with producers, screenwriters, directors, and cinematographers. The interviews range from a discussion with Arch Oboler - producer of Bwana Devil , the 1952 feature that triggered the "boom" of 3-D films - to producers and cinematographers who have worked with single-strip 3-D film production in the 1970s and '80s, 3-D films in theme parks, current IMAX films, and the new and still evolving format of digital 3-D cinema.
These interviews provide an unprecedented look at the unique challenges of producing stereoscopic motion pictures. Over five decades of this unique medium are covered, and will interest aspiring filmmakers, stereo photography enthusiasts, cinema buffs, devotees of popular culture, and film historians.
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