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Voice & vision : a creative approach to narrative film and DV production / Mick Hurbis-Cherrier.

By: Hurbis-Cherrier, Mick [author]Publisher: Amsterdam ; London : Focal, c2012Edition: 2nd edDescription: xxii, 577 p., [8] p. of plates : ill. (some col.), ports. (some col.) ; 28 cm001: 24898ISBN: 9780240811581Subject(s): Motion pictures -- Production and direction | Digital videoDDC classification: 791.4302
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Book MAIN LIBRARY Book PRINT 791.4302 HUR (Browse shelf(Opens below)) 1 Available 089856

Enhanced descriptions from Syndetics:

Voice & Visionis a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story.

The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience.

"In Practice" sidebars throughout connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which wilone and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience.

"In Practice" sidebars throughout connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.

Notice: The Companion Website for this title is currently offline for maintenance. For access to the site's materials, please contact John Makowski (John.Makowski@taylorandfrancis.com) for assistance.

Previous ed.: 2007.

Includes bibliographical references, filmography and index.

Reviews provided by Syndetics

CHOICE Review

Hurbis-Cherrier (a professional who teaches at Hunter College) provides a comprehensive, well-organized resource for those interested in exploring the art and technique of narrative film and DV production. First published in 2007, this book guides the reader through the storytelling process, from creative inception to the collaborative and increasingly technical production and postproduction phases. The author also includes a timely analysis of various acquisition formats, ranging from 8mm film to the most recent 2K and 4K digital cinema resolutions. The book is full of helpful tips for professional application of production tools and technologies, and numerous sidebars within each chapter provide examples of how noted filmmakers apply these tools for the purposes of fulfilling their artistic vision. By balancing the discussion of the art versus the craft of narrative filmmaking, Hurbis-Cherrier provides a unique perspective that differentiates this volume from competing resources. Though intended primarily for the classroom, this book should find a place in personal libraries as well. It will help even professionals expand their knowledge of the ever-evolving narrative format. Summing Up: Recommended. All levels. M. A. Bay Southern Connecticut State University

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