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Hello world : where design meets life / Alice Rawsthorn.

By: Rawsthorn, AlicePublisher: London : Hamish Hamilton, 2013Description: 281 p. : illustrations (black and white). ; 21 m001: 21750ISBN: 9780241145302 (hbk.); 0241145309 (hbk.)Subject(s): Design | Industrial design | Art and designDDC classification: 745.2 Summary: What is design? Why does it matter? What is good design? Why is so much design so bad? What is the difference between design and style? Why does everyone seem to love Apple's products? And why, after two centuries of design achievement, does no one seem capable of designing a TV remote controller that works properly?
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Enhanced descriptions from Syndetics:

Hello World is Alice Rawsthorn's definitive guide to design and modern life

Design is one of the most powerful forces in our lives. When deployed wisely, it can bring us pleasure, choice, strength, decency and much more. But if its power is abused, the outcome can be wasteful, confusing, humiliating, even dangerous. None of us can avoid being affected by design, whether or not we wish to. It is so ubiquitous that it determines how we feel and what we do, often without our noticing.

Hello World explores design's influence on our lives. Written by the renowned design critic Alice Rawsthorn and designed by the award-winning book designer Irma Boom, it describes how warlords, scientists, farmers, hackers, activists and designers have used design to different ends throughout history: from the macabre symbol invented by 18th century pirates to terrorise their victims into surrender, to one woman's quest for the best possible prosthetic legs and the evolution of the World Cup ball.

At a time when we face colossal changes, unprecedented in their speed, scale and intensity - from the deepening environmental crisis, to giant leaps in science and technology - Hello World explains how design can help us to make sense of them andto turn them to our advantage.

' Hello World is a new book by Alice Rawsthorn, the one and only, the best design critic in the entire world. She keeps the banner of design flying high. Irma Boom designed it, and Irma is simply the best book designer alive' Paola Antonelli, Senior Curator of Architecture and Design at the Museum of Modern Art, New York

Praise for Alice Rawsthorn's Yves Saint Laurent

'As gripping as a thriller, packed with plot, character and atmosphere' The Times

'Rawsthorn's excellent biography isn't merely a story about clothes, but of crises, comebacks and drug clinics, and as a document of the time it is compulsive' Evening Standard

'The best book I have ever read about the mesmerising cruelty of fashion' The Spectator

'Intelligent and pragmatic... this is a page-turner of a book' New Statesman

'What a story! A skilful interweaving of the artistic, business and emotional life of a great couture house' Mail on Sunday

Alice Rawsthorn is the design critic of the International Herald Tribune , the global edition of the New York Times . Her weekly Design column is syndicated worldwide. A trustee of Arts Council England and the Whitechapel Gallery in London, she is chair of trustees at the Chisenhale Gallery and the author of an acclaimed biography of Yves Saint Laurent .

Book design (text typeset and cover design) by Imra Boom.

Includes bibliographical references (p.258-265) and index (p.270-281).

What is design? Why does it matter? What is good design? Why is so much design so bad? What is the difference between design and style? Why does everyone seem to love Apple's products? And why, after two centuries of design achievement, does no one seem capable of designing a TV remote controller that works properly?

Reviews provided by Syndetics

Publishers Weekly Review

Rawsthorn calls for a demystification of design in order to empower non-designers to make what she calls design choices, but in the course of her book she disproves her own claims. She criticizes the relegation of the term "design" to refer to decoration and styling, while arguing for its application to humanitarian and environmental causes. Rather than crafting strong reasons, Rawsthorn expands on the idea of design to encompass a bewildering array of historical figures. The pirate Blackbeard is lauded for his iconic use of skull and crossbones imagery as is Steve Jobs for his care in crafting the appearance of Apple products, however, these examples rarely get more than surface treatment nor do they present original research. Her preferences are often determined subjectively, as when she decries Google doodles as "looking cringy" or bemoaning frustrations with her own toothbrush or smart-phone. The confluence of examples ends up feeling anecdotal rather than compelling and their very abundance refutes Rawsthorn's claims that greater inclusiveness is necessary; the only thing she proves is that non-designers are hardly impeded in their work by lack of design recognition. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

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