MARC details
000 -LEADER |
fixed length control field |
07869nam a2200601 i 4500 |
001 - CONTROL NUMBER |
control field |
BDZ0028982485 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
StDuBDS |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240316144050.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
170713s2018 nyua f 001|0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781138632202 (pbk.) : |
Terms of availability |
No price |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781138632196 (hbk.) : |
Terms of availability |
No price |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781315208404 (ebook) : |
Terms of availability |
No price |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
StDuBDS |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
StDuBDS |
Modifying agency |
StDuBDSZ |
050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
TR899 |
Item number |
.T49 2018 |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
PHO |
Source |
ukslc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AJ |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AB |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AP |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
APFX |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
APF |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AJ |
Source |
thema |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AB |
Source |
thema |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ATF |
Source |
thema |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ATFX |
Source |
thema |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ATF |
Source |
thema |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AFKV |
Source |
thema |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
777.55 |
Edition number |
23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Bowen, Christopher J., |
Relator term |
author. |
9 (RLIN) |
17289 |
245 10 - TITLE STATEMENT |
Title |
Grammar of the edit. |
250 ## - EDITION STATEMENT |
Edition statement |
Fourth edition / |
Remainder of edition statement |
Christopher J. Bowen. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Routledge, |
Date of production, publication, distribution, manufacture, or copyright notice |
2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xvi, 292 pages : |
Other physical details |
illustrations (black and white) ; |
Dimensions |
23 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content type term |
still image |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
366 ## - TRADE AVAILABILITY INFORMATION |
Detailed date of publication |
20170727 |
Availability status code |
POD |
500 ## - GENERAL NOTE |
General note |
"A Focal Press book"--Front cover. |
500 ## - GENERAL NOTE |
General note |
Previous edition: published as by Christopher J. Bowen, Roy Thompson. New York: Focal Press, 2013. |
500 ## - GENERAL NOTE |
General note |
Includes index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Acknowledgments Introduction Chapter One - Editing Basics A Very Brief History of Film Editing What Basic Factors May Affect Your Editing Choices? The Tools Project Type and Genre Degree of Audience Manipulation Other Factors Stages of the Editing Process The Basic Motion Picture Transitions Chapter One Summation - Editing Purpose & Process Related Material from Chapter Eight - Working Practices Chapter One - Review Chapter One - Exercises & Projects Chapter One - Quiz Yourself Chapter Two - Understanding the Visual Material Basic Shot Types Shot Descriptions Shot Categories - The Increasing Complexity of Motion Imagery Simple Shots Complex Shots Developing Shots Chapter Two Summation - Camera Shots Are Your Building Blocks Related Material from Chapter Eight - Working Practices Chapter Two - Review Chapter Two - Exercises & Projects Chapter Two - Quiz Yourself Chapter Three - Understanding the Audio Material Sounds Gathered During Production Dialogue Room Tone / Natural Sound / Ambiance Wild Sounds Soundtracks (musical) Sounds Gathered During Post-Production Narration / Voiceover Automated Dialogue Replacement / Looping Ambience / Tonal Tracks Sound Effects / Spot Effects Foley Effects Soundtracks (music) Sting / Stinger Score Audio Terms You May Encounter Sync Sound Diegetic Sound Non-diegetic Sound Sound Design Sound Motif Chapter Three Summation - Sound as Emotional and Physiological Manipulation Related Material from Chapter Eight - Working Practices Chapter Three - Review Chapter Three - Exercises & Projects Chapter Three - Quiz Yourself Chapter Four - Assessing the Footage: Selecting the Best Shots for the Job Criteria for Shot Assessment Focus Framing and Composition Exposure and Color Balance Screen Direction 180 Degree Rule / Axis of Action 30 Degree Rule Matching Angles Matching Eye-line Continuity of Action Performance Continuity of Dialogue / Spoken Words Audio Quality Be Familiar with All of the Footage Chapter Four Summation - So How Does All of This Help You? Related Material from Chapter Eight - Working Practices Chapter Four - Review Chapter Four - Exercises & Projects Chapter Four - Quiz Yourself Chapter Five - When to Cut and Why What Factors Lead to Making an Edit? Information Motivation Shot Composition Camera Angle Continuity Sound Chapter Five Summation - Is There a Right or Wrong Reason for a Cut? Related Material from Chapter Eight - Working Practices Chapter Five - Review Chapter Five - Exercises & Projects Chapter Five - Quiz Yourself Chapter Six - Transitions and Edit Categories The Cut The Dissolve The Wipe The Fade The Five Major Categories of Edit Types The Action Edit The Screen Position Edit The Form Edit The Concept Edit The Combined Edit Chapter Six Summation - Does Everything Always Apply? Related Material from Chapter Eight - Working Practices Chapter Six - Review Chapter Six - Exercises & Projects Chapter Six - Quiz Yourself Chapter Seven - Editing Terms, Topics, and Techniques Additional Editing Terms Timecode Montage Parallel Editing Multi-camera Editing Composite Editing Rendering Chromakey Video Resolution Additional Editing Topics Sound Editing Color Correction / Color Grading Importing Still Images Digital Workflow Technology vs. Creativity Chapter Seven Summation - Old Techniques Done With New Technologies Related Material from Chapter Eight - Working Practices Chapter Seven - Review Chapter Seven - Exercises & Projects Chapter Seven - Quiz Yourself Chapter Eight - Working Practices Chapter Eight - Review Chapter Eight - Exercises & Projects Chapter Eight - Quiz Yourself Chapter Nine - Key Take-Aways for New Editors Sound and Vision are Partners A New Shot Should Contain New Information There Should Be a Reason for Every Edit Pacing Has a Purpose Observe the Action Line Select the Appropriate Form of Edit The Better the Edit, the Less it is Noticed Editing is Manipulation The Role of an Assistant Editor Editing is Creating Chapter Nine Summation - Concluding Thoughts Chapter Nine - Review Chapter Nine - Exercises & Projects Chapter Nine - Quiz Yourself Appendix A - Helpful Resources for the New Filmmaker Appendix B - Common Crew Members Needed for Motion Picture Production Appendix C - Practice Script Glossary Index |
520 8# - SUMMARY, ETC. |
Summary, etc. |
This work sets down, in a simple, uncomplicated way, the fundamental knowledge needed to make a good edit between two shots. It concentrates on where and how an edit is made and teaches how to answer the simple question: 'What do I need to do in order to make a good edit between two shots?'. |
Expansion of summary note |
Tell more effective visual stories by learning the "grammar" of cinematic language with this elegant, accessible reference. The fourth edition of Grammar of the Edit gives you the answers to the all-important questions of when to cut and why, and teaches readers the principles behind transitions, editing for continuity, selecting the best shots, editing sound, color correction, and more. Designed as an easy-to-use guide, Grammar of the Edit presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises and quiz questions, and is a staple of any filmmaker's library.New to the fourth edition: An expanded companion website offering downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions. New and expanded quiz questions and practical exercises at the end of each chapter help test readers on their knowledge using real-world scenarios. Updated topic discussions, explanations, illustrations and visual examples. An all-new chapter on Sound resources in filmmaking and Audio Editing guidelines. Together with its companion volume, Grammar of the Shot, the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
Editing. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Video tapes |
General subdivision |
Editing. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Photography. |
Source of heading or term |
ukslc |
9 (RLIN) |
15797 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Photography & photographs |
Source of heading or term |
thema |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
The arts: general issues |
Source of heading or term |
thema |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Films, cinema |
Source of heading or term |
thema |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Film production: technical & background skills |
Source of heading or term |
thema |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Films, cinema |
Source of heading or term |
thema |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Electronic, holographic & video art |
Source of heading or term |
thema |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Bowen, Christopher J. |
Version |
Third edition. |
Title of a work |
Grammar of the edit. |