Grammar of the edit. (Record no. 39564)

MARC details
000 -LEADER
fixed length control field 07869nam a2200601 i 4500
001 - CONTROL NUMBER
control field BDZ0028982485
003 - CONTROL NUMBER IDENTIFIER
control field StDuBDS
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240316144050.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 170713s2018 nyua f 001|0|eng|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138632202 (pbk.) :
Terms of availability No price
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138632196 (hbk.) :
Terms of availability No price
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781315208404 (ebook) :
Terms of availability No price
040 ## - CATALOGING SOURCE
Original cataloging agency StDuBDS
Language of cataloging eng
Description conventions rda
Transcribing agency StDuBDS
Modifying agency StDuBDSZ
050 #0 - LIBRARY OF CONGRESS CALL NUMBER
Classification number TR899
Item number .T49 2018
072 #7 - SUBJECT CATEGORY CODE
Subject category code PHO
Source ukslc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AJ
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AB
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AP
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code APFX
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code APF
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AJ
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code ATF
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code ATFX
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code ATF
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code AFKV
Source thema
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 777.55
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bowen, Christopher J.,
Relator term author.
9 (RLIN) 17289
245 10 - TITLE STATEMENT
Title Grammar of the edit.
250 ## - EDITION STATEMENT
Edition statement Fourth edition /
Remainder of edition statement Christopher J. Bowen.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Routledge,
Date of production, publication, distribution, manufacture, or copyright notice 2018.
300 ## - PHYSICAL DESCRIPTION
Extent xvi, 292 pages :
Other physical details illustrations (black and white) ;
Dimensions 23 cm
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
336 ## - CONTENT TYPE
Content type term still image
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Source rdacarrier
366 ## - TRADE AVAILABILITY INFORMATION
Detailed date of publication 20170727
Availability status code POD
500 ## - GENERAL NOTE
General note "A Focal Press book"--Front cover.
500 ## - GENERAL NOTE
General note Previous edition: published as by Christopher J. Bowen, Roy Thompson. New York: Focal Press, 2013.
500 ## - GENERAL NOTE
General note Includes index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Acknowledgments Introduction Chapter One - Editing Basics A Very Brief History of Film Editing What Basic Factors May Affect Your Editing Choices? The Tools Project Type and Genre Degree of Audience Manipulation Other Factors Stages of the Editing Process The Basic Motion Picture Transitions Chapter One Summation - Editing Purpose & Process Related Material from Chapter Eight - Working Practices Chapter One - Review Chapter One - Exercises & Projects Chapter One - Quiz Yourself Chapter Two - Understanding the Visual Material Basic Shot Types Shot Descriptions Shot Categories - The Increasing Complexity of Motion Imagery Simple Shots Complex Shots Developing Shots Chapter Two Summation - Camera Shots Are Your Building Blocks Related Material from Chapter Eight - Working Practices Chapter Two - Review Chapter Two - Exercises & Projects Chapter Two - Quiz Yourself Chapter Three - Understanding the Audio Material Sounds Gathered During Production Dialogue Room Tone / Natural Sound / Ambiance Wild Sounds Soundtracks (musical) Sounds Gathered During Post-Production Narration / Voiceover Automated Dialogue Replacement / Looping Ambience / Tonal Tracks Sound Effects / Spot Effects Foley Effects Soundtracks (music) Sting / Stinger Score Audio Terms You May Encounter Sync Sound Diegetic Sound Non-diegetic Sound Sound Design Sound Motif Chapter Three Summation - Sound as Emotional and Physiological Manipulation Related Material from Chapter Eight - Working Practices Chapter Three - Review Chapter Three - Exercises & Projects Chapter Three - Quiz Yourself Chapter Four - Assessing the Footage: Selecting the Best Shots for the Job Criteria for Shot Assessment Focus Framing and Composition Exposure and Color Balance Screen Direction 180 Degree Rule / Axis of Action 30 Degree Rule Matching Angles Matching Eye-line Continuity of Action Performance Continuity of Dialogue / Spoken Words Audio Quality Be Familiar with All of the Footage Chapter Four Summation - So How Does All of This Help You? Related Material from Chapter Eight - Working Practices Chapter Four - Review Chapter Four - Exercises & Projects Chapter Four - Quiz Yourself Chapter Five - When to Cut and Why What Factors Lead to Making an Edit? Information Motivation Shot Composition Camera Angle Continuity Sound Chapter Five Summation - Is There a Right or Wrong Reason for a Cut? Related Material from Chapter Eight - Working Practices Chapter Five - Review Chapter Five - Exercises & Projects Chapter Five - Quiz Yourself Chapter Six - Transitions and Edit Categories The Cut The Dissolve The Wipe The Fade The Five Major Categories of Edit Types The Action Edit The Screen Position Edit The Form Edit The Concept Edit The Combined Edit Chapter Six Summation - Does Everything Always Apply? Related Material from Chapter Eight - Working Practices Chapter Six - Review Chapter Six - Exercises & Projects Chapter Six - Quiz Yourself Chapter Seven - Editing Terms, Topics, and Techniques Additional Editing Terms Timecode Montage Parallel Editing Multi-camera Editing Composite Editing Rendering Chromakey Video Resolution Additional Editing Topics Sound Editing Color Correction / Color Grading Importing Still Images Digital Workflow Technology vs. Creativity Chapter Seven Summation - Old Techniques Done With New Technologies Related Material from Chapter Eight - Working Practices Chapter Seven - Review Chapter Seven - Exercises & Projects Chapter Seven - Quiz Yourself Chapter Eight - Working Practices Chapter Eight - Review Chapter Eight - Exercises & Projects Chapter Eight - Quiz Yourself Chapter Nine - Key Take-Aways for New Editors Sound and Vision are Partners A New Shot Should Contain New Information There Should Be a Reason for Every Edit Pacing Has a Purpose Observe the Action Line Select the Appropriate Form of Edit The Better the Edit, the Less it is Noticed Editing is Manipulation The Role of an Assistant Editor Editing is Creating Chapter Nine Summation - Concluding Thoughts Chapter Nine - Review Chapter Nine - Exercises & Projects Chapter Nine - Quiz Yourself Appendix A - Helpful Resources for the New Filmmaker Appendix B - Common Crew Members Needed for Motion Picture Production Appendix C - Practice Script Glossary Index
520 8# - SUMMARY, ETC.
Summary, etc. This work sets down, in a simple, uncomplicated way, the fundamental knowledge needed to make a good edit between two shots. It concentrates on where and how an edit is made and teaches how to answer the simple question: 'What do I need to do in order to make a good edit between two shots?'.
Expansion of summary note Tell more effective visual stories by learning the "grammar" of cinematic language with this elegant, accessible reference. The fourth edition of Grammar of the Edit gives you the answers to the all-important questions of when to cut and why, and teaches readers the principles behind transitions, editing for continuity, selecting the best shots, editing sound, color correction, and more. Designed as an easy-to-use guide, Grammar of the Edit presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises and quiz questions, and is a staple of any filmmaker's library.New to the fourth edition: An expanded companion website offering downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions. New and expanded quiz questions and practical exercises at the end of each chapter help test readers on their knowledge using real-world scenarios. Updated topic discussions, explanations, illustrations and visual examples. An all-new chapter on Sound resources in filmmaking and Audio Editing guidelines. Together with its companion volume, Grammar of the Shot, the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures
General subdivision Editing.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Video tapes
General subdivision Editing.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Photography.
Source of heading or term ukslc
9 (RLIN) 15797
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Photography & photographs
Source of heading or term thema
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element The arts: general issues
Source of heading or term thema
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Films, cinema
Source of heading or term thema
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Film production: technical & background skills
Source of heading or term thema
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Films, cinema
Source of heading or term thema
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Electronic, holographic & video art
Source of heading or term thema
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Bowen, Christopher J.
Version Third edition.
Title of a work Grammar of the edit.
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Copy number Cost, replacement price Price effective from Koha item type
    Dewey Decimal Classification     PRINT MAIN LIBRARY MAIN LIBRARY Book 16/03/2024 34.99   777.55 BOW 115106 16/03/2024 1 34.99 16/03/2024 Book

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