The Filmmaker's Handbook : (Record no. 38596)

MARC details
000 -LEADER
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001 - CONTROL NUMBER
control field EBC5337987
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211112162923.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 211112s2012 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781101613801
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780452297289
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC5337987
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL5337987
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL709337
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1031964942
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number TR850
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 778.53
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ascher, Steven.
9 (RLIN) 393
245 14 - TITLE STATEMENT
Title The Filmmaker's Handbook :
Remainder of title A Comprehensive Guide for the Digital Age: Fifth Edition.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Penguin Publishing Group,
Date of production, publication, distribution, manufacture, or copyright notice 2012.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice �2012.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (1182 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- 1. Introduction to Digital and Film Systems -- Digital Video Systems -- The Video Format -- What Is Compression? -- Comparing Video Formats -- High Definition Digital Formats -- Digital Cinematography Systems -- Standard Definition Digital Formats -- Standard Definition Analog Formats -- Recording to Memory Cards, Drives, and Discs -- Sound Recording for Video -- Video Editing -- Film Systems -- Comparing Film Formats -- Sound Recording for Film -- Film Editing -- Shooting Digital Versus Shooting Film -- 2. Before You Begin Production -- Getting Your Movie Off the Ground -- Formats for the Big Screen and the Small(er) Screen -- The "Look" of the Movie -- The Impact of Sensor Size and Film Gauge -- Color and Sensitivity to Light -- Sharpness and Focus -- Aspect Ratio Choices -- Frame Rate and Scanning Choices -- Choosing a Camera -- Planning Your Workflow -- Managing Data in Production and Post -- The Importance of Sound -- Coping with Technology -- 3. The Video Camcorder -- Initial Settings -- Viewfinder and Monitor Setup -- Picture Controls -- Recording to Cards, Drives, and Optical Discs -- Types of Media -- Managing Data on the Shoot -- Recording to Digital Tape -- Operating the Camcorder -- Batteries and Power Supplies -- Camera Sensitivity -- Other Camera Features -- 4. The Lens -- Focal Length and Perspective -- The Light-Gathering Power of the Lens -- Focusing the Image -- Choosing a Zoom Lens -- Prime Lenses -- Close Focusing -- Lens Quality and Condition -- The Lens Mount -- Lens Seating Problems -- Care of the Lens -- 5. The Video Image -- Forming the Video Image -- The Digital Video Camera's Response to Light -- Understanding and Controlling Contrast -- What Is Gamma? -- Gamma Options When Shooting -- Video Color Systems -- Some Image Manipulations and Artifacts.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Video Monitors and Projectors -- Timecode -- Digital Video Recording-How It Works -- Pixels and Resolution -- Working with Digital Data -- Digital Connections -- Hard Drive Storage -- RAIDs -- File Formats and Data Exchange -- Digital Compression -- Compression Methods -- A Few Common Codecs -- 6. The Film Camera -- The Film Gate and Shutter -- Camera Speed and Motors -- Viewing Systems -- The Reflex Viewfinder -- Camera Film Capacity -- Other Camera Features -- Camera Tests and Maintenance -- 7. The Film Image -- Properties of the Film Stock -- Contrast of the Image -- Sharpness -- Choosing a Raw Stock -- Packaging, Handling, and Purchasing -- The Light Meter and Exposure Control -- Light Meters -- Taking Readings -- Exposure and Film Stocks -- The Film Lab During Production -- Screening the Rushes -- 8. Color and Filters -- Color -- Color Temperature -- Filters -- Matte Boxes and Lens Shades -- 9. Shooting the Movie -- The Goals of Production -- Composition and Shot Selection -- The Moving Camera -- Style and Direction -- Dramatic Films -- Documentaries -- Preparing for Production -- Preparing the Script and Approach -- Scheduling and Planning -- Organizing the Production -- The Equipment Package -- In Production -- Logging -- Supporting the Camera -- Slow Motion, Fast Motion, and Judder -- Slow Motion -- Fast Motion -- Judder or Strobing -- Shooting TVs and Video Monitors -- Shooting in 3D -- 10. Sound Recording Systems -- Sound -- How Audio Is Recorded -- Analog Audio Recording -- Digital Audio Recording -- Types of Audio Recorders -- Digital Audio Recorders -- Audio in the Video Camera -- The Analog Tape Recorder -- The Microphone -- Audio Connections -- 11. Sound Recording Techniques -- Preparing for a Shoot -- Gathering Gear -- The Sound Recordist's Role -- Recording Technique -- Setting the Recording Level -- Music, Narration, and Effects.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Other Recording Issues -- Recording Double System for Video and Film -- Syncing Audio and Picture -- Operating a Double-System Recorder -- 12. Lighting -- Light -- Lighting Equipment -- Bulbs -- Types of Lighting Instruments -- Lighting Technique -- Lighting Styles -- Positioning Lights -- Controlling Lighting Contrast -- Lighting and Color -- Special Lighting Effects -- Location Lighting -- 13. Picture and Dialogue Editing -- Some Film Theory -- Approaches to Editing -- Dialogue Editing -- The Editing Process -- Titles -- 14. Editing Digital Video -- Components of a Nonlinear Editing System -- How the NLE Plays and Edits Media -- Postproduction Workflow -- What Format or Resolution to Edit In? -- Importing and Organizing Your Material -- Importing Files -- Capturing from Tape -- Creating and Editing Sequences -- Basic Sound Editing -- Working with Double-System Sound -- Basic Video Effects -- Titles, Graphics, and Stills -- Mixing and Converting Formats -- Working with 24p and Pulldown -- Editing 24p Footage -- Finishing and Output -- Managing Media -- Exporting a File -- Output to Tape -- Creating a DVD or Blu-ray -- Creating a Digital Cinema Package -- Color Correction -- Tape Editing -- The EDL and Online Editing -- 15. Sound Editing and Mixing -- The Sound Editing Process -- Sound Editing Tools -- Sound Editing Technique -- Music -- Some Sound Editing Issues -- Preparing for the Mix -- The Sound Mix -- Level and Dynamic Range -- Frequency Range and EQ -- Other Sound Processing -- Mix Formats -- Deliverables -- 16. Working with Film in Postproduction -- Overview of Film-Video Transfers -- Some Film-Digital Workflows -- Film-to-Digital Transfer Devices -- Telecine Options and Controls -- Recording Format and Scanning Options -- Image Control -- Audio Options -- Film Transfer Data -- Booking a Transfer -- Editing Film Digitally -- Preparing to Edit.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Editing Considerations for Traditional Film Finish -- When You're Done with the Offline Edit -- From Digital to Film -- Preparing for the Digital-to-Film Transfer -- Traditional Film Conforming and Blowups -- Preparing the Original for Printing -- Blowups -- Making Film Prints -- Printing Basics -- Answer Prints -- Intermediates -- Release Prints -- Sound for Film Prints -- Analog Optical Tracks -- Digital Sound Tracks -- Film Projection -- 17. Producing and Distributing the Movie -- Developing the Project -- Funding Sources -- Budgets -- Business Arrangements -- Legal and Copyright Issues -- Protecting Your Work -- Releases for Real People, Places, and Things -- Using Copyrighted Material -- Distribution and Marketing -- A Last Word -- Appendices -- A. Adjusting a Video Monitor -- B. Data Rates and Storage Needs for Various Digital Formats -- C. Depth of Field Tables -- D. Hyperfocal Distance Table -- E. Angle of View in Different Formats -- Bibliography -- Websites -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. An updated edition of the authoritative guide to producing, directing, shooting, editing, and distributing your video or film.Widely acknowledged as the "bible" of video and film production, and used in courses around the world, The Filmmaker's Handbook is now updated with the latest advances in HD and new digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making. Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films  Shooting with DSLRs, video, film, and digital cinema cameras   Digital editing with the latest video editing systems   In-depth coverage of lenses, lighting, sound recording, and mixing   The business aspects of funding and producing your project   Getting your movie shown in theaters, on TV, and on the Web.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2021. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Digital cinematography--Handbooks, manuals, etc.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Pincus, Edward.
9 (RLIN) 8803
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Ascher, Steven
Title The Filmmaker's Handbook
Place, publisher, and date of publication New York : Penguin Publishing Group,c2012
International Standard Book Number 9780452297289
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5337987">https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5337987</a>
Public note Click to View
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    Dewey Decimal Classification     ONLINE MAIN LIBRARY MAIN LIBRARY Electronic Books 12/11/2021   E-BOOK 12/11/2021 12/11/2021 eBooks

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