MARC details
000 -LEADER |
fixed length control field |
06583nam a22004093i 4500 |
001 - CONTROL NUMBER |
control field |
45273 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20210222115712.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
fixed length control field |
m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
200908s2018 xx o ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781501327223 |
Qualifying information |
(electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781501327247 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(MiAaPQ)EBC5216614 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(Au-PeEL)EBL5216614 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(CaPaEBR)ebr11496658 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1015372166 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
MiAaPQ |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
MiAaPQ |
Modifying agency |
MiAaPQ |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Gulino, Paul Joseph. |
245 14 - TITLE STATEMENT |
Title |
The Science of Screenwriting : |
Remainder of title |
The Neuroscience Behind Storytelling Strategies. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Bloomsbury Academic & Professional, |
Date of production, publication, distribution, manufacture, or copyright notice |
2018. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (185 pages) |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction, or, Should I Save the Cat and Send the Hero on His Journey? -- Chapter 1 The Science of Information Flow, or, I Say Schema, You Say Schemata: Top-Down versus Bottom-Up -- Top-Down and Bottom-Up -- I Say Schema, You Say Schemata -- Frame versus Scene -- Your Schema Is Not My Schemata -- The Elusive 100 Percent Foolproof Movie Formula -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Clues and Constructivism at Work -- Perceptual Prompts-Perspectives on Where Reality Is -- Chapter 2 The Science of Connecting to the Main Character, or, Why Do I Worry That a Meth Dealer Might Get Caught? -- What Life's All About -- Aristotle and Fear and Pity and Pfaff -- Introduction of the Main Character: First Impressions Count -- Introducing Jaak Panksepp -- The Nonhero's Journey -- Learning from Others: Character Arc -- The Science of Character Arc -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Empathy -- Perceptual Prompts-Who Is the Bad Guy? -- Chapter 3 The Science of Contrast, or, Why Did the Big Huge Spaceship Follow the Little Tiny Spaceship in the Opening of Star -- A Little Science -- Directing Attention -- Aural Contrast -- Narrative Contrast: Tension and Release -- How Science Sees It, or, How to Avoid Narrative Exhaustion -- Getting Emotional, or, How to Use the Word Valence in a Sentence about Screenwriting -- The Return of Top-Down -- What You Just Learned (or, Our Attempt to Load the above Information into Your Brain's Experience Structures -- a Summary of So -- Screenwriting Explorations: Contrast and Atmosphere. |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Perceptual Prompts-Simultaneous Contrast -- Chapter 4 The Science of Exposition, or, What's Wrong with an Information Dump? -- Constructivist Psychology to the Rescue -- Ninotchka (1939) -- Can I Become a Crafty Screenwriter Too? -- The Science behind Otherworldly Worlds -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Exposition as a Game with the Audience -- Perceptual Prompts-Where Is That Noise Coming from? -- Chapter 5 The Science of Cause and Effect, or, Did the Packers Really Lose Because I Didn't Wear My Cheesehead Hat? -- The Science -- Rewind: But The Social Network Is Told Out of Order -- Causes with a Delayed Effect -- The Science -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Cause and Effect -- Perceptual Prompts-Being Closer Causes Being Bigger -- Chapter 6 The Science of Shared Attention, or, If I Write a Screenplay in Which a Tree Falls in the Forest, and the Reader Fall -- The Science -- Studies of Who's Looking Where -- How Filmmakers Handle Attention -- The Role of Memory -- The Challenge of Short Films -- The Challenge of Virtual Reality -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of Sort -- Screenwriting Explorations: Resetting Attention -- Perceptual Prompts-Shared Attention Depends on How Well You Know the Speaker -- Chapter 7 The Science of Conflict, or, What's Wrong with Watching Two Hours of People Just Getting Along and Helping Each Other -- The Science of Conflict -- Conflict Deep within Us -- The Emotional Roller-Coaster -- Verbal Conflict -- Conflicted Human Nature -- Dialogue: On the Nose and off the Rails. |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Conflict on the Scene Level -- Perceptual Prompts-Brain on Conflict, or the Missing Phoneme Effect -- Chapter 8 The Science of Imagination: Temporal Lobes, How to Think Creatively, Stages of Mind, or, Your Dope-Fueled Imaginings -- Preparation -- Incubation -- Aha! Moment -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: There's No Such Thing as Writer's Block -- Chapter 9 The Structure Question, or, How Many Acts Does It Take to Sell a Script? -- Digging Deeper -- Breaking Those Rules -- Chapter 10 Star Wars, or, How George Did It -- The Opening Crawl -- Used Android Salesmen -- The Main Character Appears -- Connecting to Luke -- The (Sand) People versus Ben Kenobi -- Mos Eisley -- The Journey -- Out of the Millennium Falcon and into the Garbage Room -- Escape from the Garbage Room -- Contrivance: A Digression -- Escape from the Death Star -- Getting Ready -- The Battle -- Chapter 11 Epilogue, or, Go Forth and Create -- Reference -- Index. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) |
Local note |
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
655 #4 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic books. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Shears, Connie. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Print version: |
Main entry heading |
Gulino, Paul Joseph |
Title |
The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies |
Place, publisher, and date of publication |
New York : Bloomsbury Academic & Professional,c2018 |
International Standard Book Number |
9781501327247 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) |
Corporate name or jurisdiction name as entry element |
ProQuest (Firm) |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5216614">https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5216614</a> |
Public note |
Click to View |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Suppress in OPAC |
0 |