The Science of Screenwriting : (Record no. 32787)

MARC details
000 -LEADER
fixed length control field 06583nam a22004093i 4500
001 - CONTROL NUMBER
control field 45273
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20210222115712.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200908s2018 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781501327223
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781501327247
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC5216614
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL5216614
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr11496658
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1015372166
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gulino, Paul Joseph.
245 14 - TITLE STATEMENT
Title The Science of Screenwriting :
Remainder of title The Neuroscience Behind Storytelling Strategies.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Bloomsbury Academic & Professional,
Date of production, publication, distribution, manufacture, or copyright notice 2018.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2018.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (185 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction, or, Should I Save the Cat and Send the Hero on His Journey? -- Chapter 1 The Science of Information Flow, or, I Say Schema, You Say Schemata: Top-Down versus Bottom-Up -- Top-Down and Bottom-Up -- I Say Schema, You Say Schemata -- Frame versus Scene -- Your Schema Is Not My Schemata -- The Elusive 100 Percent Foolproof Movie Formula -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Clues and Constructivism at Work -- Perceptual Prompts-Perspectives on Where Reality Is -- Chapter 2 The Science of Connecting to the Main Character, or, Why Do I Worry That a Meth Dealer Might Get Caught? -- What Life's All About -- Aristotle and Fear and Pity and Pfaff -- Introduction of the Main Character: First Impressions Count -- Introducing Jaak Panksepp -- The Nonhero's Journey -- Learning from Others: Character Arc -- The Science of Character Arc -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Empathy -- Perceptual Prompts-Who Is the Bad Guy? -- Chapter 3 The Science of Contrast, or, Why Did the Big Huge Spaceship Follow the Little Tiny Spaceship in the Opening of Star -- A Little Science -- Directing Attention -- Aural Contrast -- Narrative Contrast: Tension and Release -- How Science Sees It, or, How to Avoid Narrative Exhaustion -- Getting Emotional, or, How to Use the Word Valence in a Sentence about Screenwriting -- The Return of Top-Down -- What You Just Learned (or, Our Attempt to Load the above Information into Your Brain's Experience Structures -- a Summary of So -- Screenwriting Explorations: Contrast and Atmosphere.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Perceptual Prompts-Simultaneous Contrast -- Chapter 4 The Science of Exposition, or, What's Wrong with an Information Dump? -- Constructivist Psychology to the Rescue -- Ninotchka (1939) -- Can I Become a Crafty Screenwriter Too? -- The Science behind Otherworldly Worlds -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Exposition as a Game with the Audience -- Perceptual Prompts-Where Is That Noise Coming from? -- Chapter 5 The Science of Cause and Effect, or, Did the Packers Really Lose Because I Didn't Wear My Cheesehead Hat? -- The Science -- Rewind: But The Social Network Is Told Out of Order -- Causes with a Delayed Effect -- The Science -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Cause and Effect -- Perceptual Prompts-Being Closer Causes Being Bigger -- Chapter 6 The Science of Shared Attention, or, If I Write a Screenplay in Which a Tree Falls in the Forest, and the Reader Fall -- The Science -- Studies of Who's Looking Where -- How Filmmakers Handle Attention -- The Role of Memory -- The Challenge of Short Films -- The Challenge of Virtual Reality -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of Sort -- Screenwriting Explorations: Resetting Attention -- Perceptual Prompts-Shared Attention Depends on How Well You Know the Speaker -- Chapter 7 The Science of Conflict, or, What's Wrong with Watching Two Hours of People Just Getting Along and Helping Each Other -- The Science of Conflict -- Conflict Deep within Us -- The Emotional Roller-Coaster -- Verbal Conflict -- Conflicted Human Nature -- Dialogue: On the Nose and off the Rails.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Conflict on the Scene Level -- Perceptual Prompts-Brain on Conflict, or the Missing Phoneme Effect -- Chapter 8 The Science of Imagination: Temporal Lobes, How to Think Creatively, Stages of Mind, or, Your Dope-Fueled Imaginings -- Preparation -- Incubation -- Aha! Moment -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: There's No Such Thing as Writer's Block -- Chapter 9 The Structure Question, or, How Many Acts Does It Take to Sell a Script? -- Digging Deeper -- Breaking Those Rules -- Chapter 10 Star Wars, or, How George Did It -- The Opening Crawl -- Used Android Salesmen -- The Main Character Appears -- Connecting to Luke -- The (Sand) People versus Ben Kenobi -- Mos Eisley -- The Journey -- Out of the Millennium Falcon and into the Garbage Room -- Escape from the Garbage Room -- Contrivance: A Digression -- Escape from the Death Star -- Getting Ready -- The Battle -- Chapter 11 Epilogue, or, Go Forth and Create -- Reference -- Index.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Shears, Connie.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Gulino, Paul Joseph
Title The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies
Place, publisher, and date of publication New York : Bloomsbury Academic & Professional,c2018
International Standard Book Number 9781501327247
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5216614">https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5216614</a>
Public note Click to View
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Suppress in OPAC 0
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
    Other/Generic Classification Scheme     ONLINE MAIN LIBRARY MAIN LIBRARY Electronic Books 08/09/2020   E-BOOK 45273-1001 22/02/2021 1 22/02/2021 eBooks

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