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05192nam a22004213i 4500 |
| 001 - CONTROL NUMBER |
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44229 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20210222115044.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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200803s2012 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781612190518 |
| Qualifying information |
(electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781612190501 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(MiAaPQ)EBC5337775 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(Au-PeEL)EBL5337775 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(CaONFJC)MIL496661 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1031963094 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MiAaPQ |
| Language of cataloging |
eng |
| Description conventions |
rda |
| -- |
pn |
| Transcribing agency |
MiAaPQ |
| Modifying agency |
MiAaPQ |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
384/.80979494 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Epstein, Edward Jay. |
| 245 14 - TITLE STATEMENT |
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| Title |
The Hollywood Economist 2. 0 : |
| Remainder of title |
The Hidden Financial Reality Behind the Movies. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
2nd ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Melville House, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2012. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2012. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (133 pages) |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Intro -- Other Books by This Author -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Why We Don't Understand Hollywood -- Part 1: The Popcorn Economy -- Ten Years Ago, I Learned the Real Secret Is the Salt -- Why Do Most New Movie Theaters Have Fewer than 300 Seats? -- Sex in the Cinema: Asset or Liability? -- The Vanishing Box Office -- The Reel Silver Lining -- Part II: Star Culture -- The Contract's the Thing-If Not for Hamlet, for Arnold Schwarzenegger -- Movie Stars Come in Two Flavors: 20 Million and Free -- The Angst Question in Hollywood: What Is Your Cash Breakeven? -- The Sad Lesson of Nicole Kidman's Knee-Or What a Star Needs to Get a Part -- The Starlet's Dilemma -- There Is No Net -- The Video Windfall -- Nobody Gets Gross -- "I Do My Own Stunts" -- Part III: Hollywood's Invisible Money Machine -- Why Lara Croft: Tomb Raider Is Considered a Masterpiece of Studio Financing -- Money-For-Nothing from Germany -- How Does a Studio Make a Windfall out of Being on the Losing Side of a Japanese Format War? -- Romancing the Hedge Funds -- Ending Up on the Wrong End of the Deal -- Ever Wonder Why New York Looks Like Toronto in the Movies? -- The Foreign Mirage -- Pushing the Pseudo Reality Envelope -- The New Civil War among the States -- The Rise and Fall of Pay Television -- For Whom Does the Movie Business Toll? -- Part IV: Hollywood Politics -- In the Picture -- Paranoia for Fun and Profit: The Saga of Fahrenheit 9/11 -- The Saga Continues -- Plus Ça Change: Paramount's Regime Change -- Tom Cruise, Inc. -- The Studios-Required Reading -- An Expert Witness in Wonderland -- Part V: Unoriginal Sin -- Audience Creation -- Teens and Car Crashes Go Together -- The Midas Formula -- Market Testing Villains -- Why Serious Fare Went Small Screen -- Part VI: Indie Film -- The Oscar Deception -- Can Indie Movies Survive?. |
| 505 8# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
How to Finance an Indie Film -- Part VII: The Politics of Streaming -- The Quest for the Digitalized Couch Potato -- The Samurai Embrace -- The Rise of the Tube Moguls -- The Last Days of the Video Store -- And the End of Theatres? -- Downloading for Dollars -- Epilogue: Hollywood: The Movie -- Appendix I -- Warner Bros. Distribution Report #6: Midnight in the Garden of Good and Evil -- Appendix II -- Warner Bros. Distribution Report #4: Harry Potter and the Order of the Phoenix. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trendsIn a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood's "invisible money machine," probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money?We also learn:+ How and why the studios harvest silver from old film prints ...+ Why stars do-or don't do-their own stunts ...+ The future of Netflix: Why the "next big thing" now seems in such deep trouble...+ What it costs to insure Nicole Kidman's right knee…+ How Hollywood manipulates Wall Street: including the story of the acquisition of MGM… wherein a consortium of banks and hedge funds lost some 5 billion… while Hollywood made millions.+ Why Arnold Schwarzenegger is considered a contract genius…+ The fate of serious fare: How HBO, AMC, and Showtime have found ways to make money offer adult drama, while the Hollywood studios prefer to cater to teen audiences.+ Why Lara Croft: Tomb Raider is considered a "masterpiece" of financing ... From the Trade Paperback edition. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
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| Source of description note |
Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) |
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| Local note |
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 655 #4 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Print version: |
| Main entry heading |
Epstein, Edward Jay |
| Title |
The Hollywood Economist 2. 0 : The Hidden Financial Reality Behind the Movies |
| Place, publisher, and date of publication |
New York : Melville House,c2012 |
| International Standard Book Number |
9781612190501 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) |
|---|
| Corporate name or jurisdiction name as entry element |
ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5337775">https://ebookcentral.proquest.com/lib/rave/detail.action?docID=5337775</a> |
| Public note |
Click to View |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Suppress in OPAC |
0 |