MARC details
000 -LEADER |
fixed length control field |
02273cam a2200313 4500 |
001 - CONTROL NUMBER |
control field |
43671 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190322n 000 0 eng u |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781388827793 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
UK-LoR, |
Description conventions |
rda |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
686.224 BUS |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Bush, Lewis |
9 (RLIN) |
21411 |
245 ## - TITLE STATEMENT |
Title |
War primer 3 : |
Remainder of title |
a work primer / |
Statement of responsibility, etc. |
Lewis Bush |
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
[Place of publication not identified] : www.lewisbush.com 2015 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
Various pagings : chiefly colour illustrations ; 27 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content type term |
still image |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
War primer 3 is a reworking of Adam Broomberg and Oliver Chanarin?s War primer 2 itself a reworking of Bertolt Brecht?s Kriegsfibel. In this remarkable critique of the relationship between war and photography, Brecht sought to extract the hidden meanings behind images of conflict with short poems inspired by the funereal epigrams of the ancient world. Broomberg and Chanarin in turn updated Brecht?s book by introducing images from the so-called War on Terror, each intended to resonate with Brecht?s original text. While in some respects brilliant, in other ways Broomberg and Chanarin?s follow up was deeply problematic, particularly the book?s existence as an expensive, editioned art object, and the use of unpaid, uncredited intern labour in its production. In the spirit of Brecht?s playful invocation not to ?start with the good old things but the bad new ones? I have reworked Broomberg and Chanarin?s book into a new work primer, a meditation on inequality, labour and capital. By restructuring the book around the text of Brecht?s poem A Worker Reads History, and adding new images and text a third incarnation of the book came into being, one designed as a tribute to the anonymous many who keep the engines of the world turning - from www.lewisbush.com. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
War in art |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Artists' books |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
War on Terrorism, 2001-2009 ? In art. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Broomberg, Adam. ? War primer 2. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Chanarin, Oliver. ? War primer 2 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Brecht, Bertolt 1898-1956. ? Kriegsfibel. English. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Brecht, Bertolt 1898-1956 ? Influence. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Specimen |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Suppress in OPAC |
0 |